An Experiment in CriticismCambridge University Press, 31 jan. 1992 - 142 sidor Why do we read literature and how do we judge it? C. S. Lewis's classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that 'good reading', like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: 'in reading great literature I become a thousand men and yet remain myself'. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind. Amid the complex welter of current critical theories, C. S. Lewis's wisdom is valuably down-to-earth, refreshing and stimulating in the questions it raises about the experience of reading. |
Innehåll
The Few and the Many | 1 |
False Characterisations | 5 |
How the Few and the Many use Pictures and Music | 14 |
The Reading of the Unliterary | 27 |
On Myth | 40 |
The Meanings of Fantasy | 50 |
On Realisms | 57 |
On Misreading by the Literary | 74 |
Survey | 88 |
Poetry | 95 |
The Experiment | 104 |
Epilogue | 130 |
A note on Oedipus | 142 |
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activity admire already Aristotle attention attitude bad picture bad reading become believe Beowulf better Chaucer Chaucer's Dante day-dream deceived delight demand discover distinction Edgar Wallace egoistic castle-building emotional enjoy escape Event eyes favourite feel fiction girl next door give happened Herakles human imagination invented invites Jane Austen judge judgement kind Lamb less literary experience literary fantasy literature Logos looking Lucretius mean ment merely Middlemarch Miller's Tale mind Montaigne myth narrative never novel object Oedipus Oedipus Tyrannus once ourselves pale Patience Strong philosophy play pleasure poem poetry poets Poiema pornography preter probable prose question realism of content realism of presentation reality rereading seems sense sometimes sort of reading sort of thing status seeker stories talk taste tell tion tragedy Translating Homer tune unliterary reader Vanity Fair vicarious whole words writing young
Hänvisningar till den här boken
The Fantasy Tradition in American Literature: From Irving to Le Guin Brian Attebery Fragmentarisk förhandsgranskning - 1980 |
