An Experiment in CriticismWhy do we read literature and how do we judge it? C. S. Lewis's classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that 'good reading', like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: 'in reading great literature I become a thousand men and yet remain myself'. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind. Amid the complex welter of current critical theories, C. S. Lewis's wisdom is valuably down-to-earth, refreshing and stimulating in the questions it raises about the experience of reading. |
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LibraryThing Review
Användarrecension - Iudita - LibraryThingC.S. Lewis and I are not the best match. I'm even in the small minority who don't appreciate the beloved Narnia books. He has a loopy excessive style which was very prevalent in this book. To me, it ... Läs hela recensionen
LibraryThing Review
Användarrecension - antao - LibraryThingLiterary experience heals the wound, without undermining the privilege, of individuality. There are mass emotions which heal the wound; but they destroy the privilege. In them our separate selves are ... Läs hela recensionen
Innehåll
The Few and the Many | 1 |
False Characterisations | 5 |
How the Few and the Many use Pictures and Music | 14 |
The Reading of the Unliterary | 27 |
On Myth | 40 |
The Meanings of Fantasy | 50 |
On Realisms | 57 |
On Misreading by the Literary | 74 |
Survey | 88 |
Poetry | 95 |
The Experiment | 104 |
Epilogue | 130 |
A note on Oedipus | 142 |
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accept activity actual admire already appreciation attention become believe better castle-building characters comes common course criticism deceived demand discover distinction egoistic emotional enjoy escape Event exists experience expressed eyes fact fantasy feel fiction fully give happened human imagination interest judge judgement kind least less literary literature live looking matter mean mere merely mind myth narrative nature nearly never object once ourselves pale particular perhaps person philosophy play pleasure poem poetry poets possible present probable produce prose question readers reading realism reality reason regards remain response seems sense simply sometimes sort sounds stories suggest sure talk taste tell thing thought tion tragedy true truth tune turn unless unliterary usually whole wish words writing young
Hänvisningar till den här boken
The Fantasy Tradition in American Literature: From Irving to Le Guin Brian Attebery Fragmentarisk förhandsgranskning - 1980 |