Understanding Machinima: Essays on Filmmaking in Virtual Worlds

Framsida
Jenna Ng
A&C Black, 30 juli 2013 - 296 sidor
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In this groundbreaking collection, Dr. Jenna Ng brings together academics and award-winning artists and machinima makers to explore the fascinating combination of cinema, animation and games in machinima (the use of computer game engines to produce animated films in cost- and time-efficient ways). Book-ended by a preface by Henry Lowood (curator for history of science and technology collections at Stanford University) and an interview with Isabelle Arvers (machinima artist, trainer, critic, and curator), the collection features wide-ranging discussions addressing machinima not only from diverse theoretical perspectives, but also in its many dimensions as game art, First Nations media art, documentary, and pedagogical tool. Making use of interactive multimedia to enhance the text, each chapter features a QR code which leads to a mobile website cross-referencing with its print text, integrating digital and print content while also taking into account the portability of digital devices in resonance with machinima's mobile digital forms. Exploring the many dimensions of machinima production and reception, Understanding Machinima extends machinima's critical scholarship and debate, underscoring the exciting potential of this emerging media form.

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Using machinima
127
Notes on contributors
252
Glossary
258

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Om författaren (2013)

Jenna Ng is currently a Newton Trust/Leverhulme Early Career Fellow at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at University of Cambridge, where she is working on a book project about presence and embodiment in camera-based digital media. She is primarily interested in the cultures and theories of digital media, particularly in relation to imaging technologies such as digital video, virtual cinematography and motion capture, but has also written on other topics such as cinephilia, cinema and time and East Asian cinema. She is currently putting together an edited collection on machinima, and has published work in various essay collections and journals, includingCinema Journal, Rougeand16:9. She was previously also a postdoctoral fellow in the digital humanities at HUMlab (dually affiliated with the Department of Culture and Media) in Umeå University, Sweden.

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