A Criticism of the Elegy Written in a Country ChurchyardJ. Ballantyne and Company, 1810 - 148 sidor |
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Sida 28
... turning home , and leaving the world to darkness ; " are images consistent with the situation of a thinking muser , but irreconcileable with the process of wri- ting , or even scrawling . Yet , by a friend of Gray , a serious , and not ...
... turning home , and leaving the world to darkness ; " are images consistent with the situation of a thinking muser , but irreconcileable with the process of wri- ting , or even scrawling . Yet , by a friend of Gray , a serious , and not ...
Sida 74
... turn- ed into a sword , the plenty is not great : nor was England drest in smiles in the time of the great rebellion . In this stanza too , Gray is guilty of an inconsistency . " To despise the threats of pain and ruin , " is not of the ...
... turn- ed into a sword , the plenty is not great : nor was England drest in smiles in the time of the great rebellion . In this stanza too , Gray is guilty of an inconsistency . " To despise the threats of pain and ruin , " is not of the ...
Sida 94
... turn " the two wardrobes into one . By this 66 means , as I told them , the things of " each would , in effect , be doubled ; for " the world is not to know . To this " scheme the younger , who thought it a " fine frolic , very readily ...
... turn " the two wardrobes into one . By this 66 means , as I told them , the things of " each would , in effect , be doubled ; for " the world is not to know . To this " scheme the younger , who thought it a " fine frolic , very readily ...
Sida 98
... is the first departure ; which must " be so managed as to preserve , at the " close of it , a ready lead in to the re- I Beggar's Opera . " Oh what pain it is to part , " & c . 66 " turn , -which now makes its appear- ance 98 CRITICISM.
... is the first departure ; which must " be so managed as to preserve , at the " close of it , a ready lead in to the re- I Beggar's Opera . " Oh what pain it is to part , " & c . 66 " turn , -which now makes its appear- ance 98 CRITICISM.
Sida 99
... turn anew ; --- then , lead we off to the " third departure , with a very learned 66 modulation , plying in so , at the end , " however , as to admit the Return , a " fourth time . Now for the great trial “ of skill , in leading off to ...
... turn anew ; --- then , lead we off to the " third departure , with a very learned 66 modulation , plying in so , at the end , " however , as to admit the Return , a " fourth time . Now for the great trial “ of skill , in leading off to ...
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A Criticism on the Elegy Written in a Country Churchyard John] 1750?-1820 [Young Ingen förhandsgranskning - 2016 |
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Abbot admiration Antiquary appear author of Marmion author of Waverley beautiful beech Black Dwarf Bridal of Triermain Bride of Lammermoor Canto Canto VI castle character Church-yard circumstances composition criticism Dæmon dark death Douglas Elegy expression fancy favourite feeling Glossin Græme Gray Guy Mannering hand Harold the Dauntless Hatteraick Heart of Mid Heart of Mid-Lothian Henry hero honour Ibid images imagination instances Isles Ivanhoe Jeanie Kenilworth labour Lady Lake Landlord Last Minstrel Legend of Montrose Letters light Loch Katrine Lord Mid Lothian mind Monastery narrative natural night novelist novels o'er observation Old Mortality passage person personage Petrarch poems poet poetical poetry praise prose racter remarkable resemblance Risingham Rob Roy Roderick Rokeby romantic says scarcely scene seems sound spirit stanza story style supposed tale taste thou thought tion tower verse wild writers
Populära avsnitt
Sida 54 - Where through the long-drawn aisle and fretted vault, The pealing anthem swells the note of praise.
Sida 3 - For them no more the blazing hearth shall burn, Or busy housewife ply her evening care : No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
Sida 9 - One morn I missed him on the customed hill, Along the heath and near his favorite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow through the churchway path we saw him borne. Approach and read (for thou canst read) the lay, Graved on the stone beneath yon aged thorn.
Sida 4 - Can storied urn or animated bust Back to its mansion call the fleeting breath? Can honour's voice provoke the silent dust, Or flattery soothe the dull cold ear of death?
Sida 8 - There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he stretch, And pore upon the brook that babbles by.
Sida 1 - ELEGY WRITTEN IN A COUNTRY CHURCHYARD / THE CURFEW tolls the knell of parting day, The lowing herd winds slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me.
Sida 104 - Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace. With Tarquin's ravishing strides, towards his design Moves like a ghost.
Sida 2 - The breezy call of incense-breathing Morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed...
Sida 7 - E'en from the tomb the voice of Nature cries, E'en in our ashes live their wonted fires. For thee, who, mindful of th' unhonour'd dead, Dost in these lines their artless tale relate; If chance, by lonely Contemplation led, Some kindred spirit shall inquire thy fate, — Haply some hoary-headed swain may say, Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away, To meet the sun upon the upland lawn...
Sida 5 - Th' applause of list'ning senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes...