Eliot's Dark Angel: Intersections of Life and ArtOxford University Press, 7 okt. 1999 - 296 sidor Schuchard's critical study draws upon previously unpublished and uncollected materials in showing how Eliot's personal voice works through the sordid, the bawdy, the blasphemous, and the horrific to create a unique moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development, showing how early and consistently his classical and religious sensibility manifests itself in his poetry and criticism. The book examines his reading, his teaching, his bawdy poems, and his life-long attraction to music halls and other modes of popular culture to show the complex relation between intellectual biography and art. |
Från bokens innehåll
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Sida ix
... Voice 70 87 Four : The Savage Comedian Five : In the Music Halls Six : The Horrific Moment 102 119 Seven : First - Rate Blasphemy 131 Eight : " All Aboard for Natchez , Cairo and St. Louis " : The Journey of the Exile in Ash - Wednesday ...
... Voice 70 87 Four : The Savage Comedian Five : In the Music Halls Six : The Horrific Moment 102 119 Seven : First - Rate Blasphemy 131 Eight : " All Aboard for Natchez , Cairo and St. Louis " : The Journey of the Exile in Ash - Wednesday ...
Sida 3
... his fury and his muse , causing and conducting the internal drama of shadows and voices that inhabit his acutely personal poems and plays . When Eliot discovered that other poets had suffered from this 3 Prelude: The Dark Angel.
... his fury and his muse , causing and conducting the internal drama of shadows and voices that inhabit his acutely personal poems and plays . When Eliot discovered that other poets had suffered from this 3 Prelude: The Dark Angel.
Sida 7
... voices . " Yeats thus attributed the spiritual suffering of his Catholic friends to " that hidden meditation wherein they lost or saved their souls and certainly lost the world " ( YT 81 ) , and he would soon place Eliot among their ...
... voices . " Yeats thus attributed the spiritual suffering of his Catholic friends to " that hidden meditation wherein they lost or saved their souls and certainly lost the world " ( YT 81 ) , and he would soon place Eliot among their ...
Sida 9
... voice sum- mons the persona's attention to the strange shadow of a desert rock that is " something different " from any familiar bodily or temporal shadow . Under the shadow of the gray rock the phantom narrator reveals not only the ...
... voice sum- mons the persona's attention to the strange shadow of a desert rock that is " something different " from any familiar bodily or temporal shadow . Under the shadow of the gray rock the phantom narrator reveals not only the ...
Sida 13
... voices of his spectral dreamscapes into The Waste Land , the most imperious voice heard by his persona among the broken images and allusions of sexual betrayal was again the desert voice that summoned Narcissus to the shadow : ( Come in ...
... voices of his spectral dreamscapes into The Waste Land , the most imperious voice heard by his persona among the broken images and allusions of sexual betrayal was again the desert voice that summoned Narcissus to the shadow : ( Come in ...
Innehåll
3 | |
In the Lecture Halls | 25 |
Hulme of Original Sin | 52 |
Our mad poetics to confute Laforgue and the Personal Voice | 70 |
The Savage Comedian | 87 |
In the Music Halls | 102 |
Illustrations | 108 |
The Horrific Moment | 119 |
FirstRate Blasphemy | 131 |
All Aboard for Natchez Cairo and St Louis The Journey of the Exile in AshWednesday | 148 |
The Ignatian Interlude | 162 |
If I think again of this place The Way to Little Gidding | 175 |
American Publishers and the Transmission of T S Eliots Prose | 198 |
Notes | 217 |
Index | 257 |
Andra upplagor - Visa alla
Eliot's Dark Angel: Intersections of Life and Art Ronald Schuchard Begränsad förhandsgranskning - 2001 |
Vanliga ord och fraser
American edition appeared Arnold Ash-Wednesday attitude audience ballet Baudelaire Baudelaire's Bertrand Russell blasphemy Christian classical comedian comic contemporary CWTEH Dante dark angel death divine Donne Eliot wrote Eliot's critical Elizabethan emotional English edition epigraph experience Ezra Pound Faber and Faber feeling Four Quartets French George Harcourt Brace Harvard Herbert horror Hulme's human Ignatius intellectual Jesuit John Jonson Laforgue Laforgue's Laforguean Lancelot Andrewes later letter literary literature Little Gidding London Marie Lloyd Marlowe Massine metaphysical metaphysical poetry mind modern moral music halls music-hall mysticism Nellie Wallace Oxford philosophy play poem poet poet's poetic drama poetry prayer Press prose Prufrock published quoted Read religious romantic romanticism Russell Russell's Sacred Wood says Eliot Selected Essays sense sensibility sexual Shakespeare song soul Sweeney Agonistes T. E. Hulme T. S. Eliot theory tion University Valerie Eliot verse vision Vivien voice Waste Land writing Yeats
Populära avsnitt
Sida 242 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream: The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Sida 193 - And all shall be well and All manner of thing shall be well When the tongues of flame are in-folded Into the crowned knot of fire And the fire and the rose are one.
Sida 178 - Ferrar, and tell him he shall find in it a picture of the many spiritual conflicts that have passed betwixt God and my soul, before I could subject mine to the will of Jesus my Master, in whose service I have now found perfect freedom ; desire him to read it, and then, if he can think it may turn to the advantage of any dejected poor soul, let it be made public - if not, let him burn it ; for I and it are less than the least of God's mercies.
Sida 184 - WHITSUNDAY. LISTEN, sweet Dove, unto my song, And spread thy golden wings in me ; Hatching my tender heart so long, Till it get wing, and fly away with thee.
Sida 5 - The Dark Angel Dark Angel, with thine aching lust To rid the world of penitence: Malicious Angel, who still dost My soul such subtile violence! Because of thee, no thought, no thing, Abides for me undesecrate: Dark Angel, ever on the wing, Who never reachest me too late! When music sounds, then changest thou Its silvery to a sultry fire: Nor will thine envious heart allow Delight untortured by desire. Through thee, the gracious...
Sida 17 - He is oppressed by a burden which he must bring to birth in order to obtain relief. Or, to change the figure of speech, he is haunted by a demon, a demon against which he feels powerless, because in its first manifestation it has no face, no name, nothing; and the words, (he |юет he makes, are a kind of form of exorcism of this demon.
Sida 15 - I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
Sida 143 - Genuine blasphemy, genuine in spirit and not purely verbal, is the product of partial belief, and is as impossible to the complete atheist as to the perfect Christian.
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