An Essay on English Poetry; with notices of the British poets. [Edited by Peter Cunningham.]John Murray, 1848 - 436 sidor |
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Sida 48
... dramatic expression of the passions . Grimoald , the second poet who used it after Lord Surrey , gave it a little more variety of pauses ; but it was not till it had been tried as a measure by several composers that it acquired a bold ...
... dramatic expression of the passions . Grimoald , the second poet who used it after Lord Surrey , gave it a little more variety of pauses ; but it was not till it had been tried as a measure by several composers that it acquired a bold ...
Sida 51
... drama which preceded the appearance of Shak- speare . I shall therefore turn back again to that period , after having done homage to the name of Spenser . He brought to the subject of The Fairy Queen ' a new and * An expression used by ...
... drama which preceded the appearance of Shak- speare . I shall therefore turn back again to that period , after having done homage to the name of Spenser . He brought to the subject of The Fairy Queen ' a new and * An expression used by ...
Sida 52
... drama , or the drama , which is always the language of the day . His antiquated words were his choice , not his necessity . Has Drayton , or Daniel , or Peele , Marlowe , or Shakspeare the obscure words found constantly recurring in ...
... drama , or the drama , which is always the language of the day . His antiquated words were his choice , not his necessity . Has Drayton , or Daniel , or Peele , Marlowe , or Shakspeare the obscure words found constantly recurring in ...
Sida 56
... drama began to show themselves . Before Elizabeth's reign we had no dramatic authors more important than Bale and Heywood the Epigrammatist . Bale , * [ It is clear that before 1591 , or even 1592 , Shakspeare had no celebrity as a ...
... drama began to show themselves . Before Elizabeth's reign we had no dramatic authors more important than Bale and Heywood the Epigrammatist . Bale , * [ It is clear that before 1591 , or even 1592 , Shakspeare had no celebrity as a ...
Sida 57
... drama , ' Gammer Gurton's Needle ' and Sackville's ' Gorboduc ' form convenient resting - places for the memory ; but it may be doubted if their superiority over the mysteries and moralities be half so great as [ Mr. J. Payne Collier ...
... drama , ' Gammer Gurton's Needle ' and Sackville's ' Gorboduc ' form convenient resting - places for the memory ; but it may be doubted if their superiority over the mysteries and moralities be half so great as [ Mr. J. Payne Collier ...
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An Essay on English Poetry: With Notices of the British Poets Thomas Campbell Obegränsad förhandsgranskning - 1848 |
An Essay on English Poetry; with notices of the British poets. [Edited by ... Thomas Campbell Obegränsad förhandsgranskning - 1848 |
An Essay on English Poetry; with Notices of the British Poets. New Ed Thomas Campbell Obegränsad förhandsgranskning - 1861 |
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admiration Æneid afterwards amidst ancient appear ballad beauty Ben Jonson Born century certainly character Chaucer church circumstances comedy court Cowper Creusa death Died drama Dryden Earl eclogues Edinburgh edition Elizabeth England English English poetry entitled Euphuism exhibits expression fancy father fiction Fletcher French gave genius Henry honour humour imagination imitation interest Jonson King Lady language Layamon letters literary lived London Lord manners married Milton mind Mirror for Magistrates moral Muse native nature Oxford passage passion pastoral period pieces poem poet poet's poetical poetry Pope probably prose published Queen racter reign returned rhyme Robert of Gloucester romance satire Saxon says scene Scotland Scottish seems Shakspeare Shakspeare's Sir Philip Sydney Sir Walter Scott Spenser spirit story style supposed Surrey taste Thomas Thomas Warton thought tion tragedy translation verse Warton William writer written wrote Xuthus
Populära avsnitt
Sida 109 - He scarce had ceased, when the superior fiend Was moving toward the shore : his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Sida 64 - See what a grace was seated on this brow ; Hyperion's curls, the front of Jove himself, An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill ; A combination and a form indeed, Where every god did seem to set his seal To give the world assurance of a man : This was your husband.
Sida 94 - GATHER ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former.
Sida 112 - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
Sida 110 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Sida 381 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Sida 113 - All things are hush'd as Nature's self lay dead, The mountains seem to nod their drowsy head : The little birds in dreams their songs repeat, And sleeping flowers beneath the night dews sweat. Even lust and envy sleep...
Sida 110 - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art; an epithet or metaphor drawn from Art degrades Nature.
Sida 316 - His best companions, innocence and health; And his best riches, ignorance of wealth. But times are alter'd; trade's unfeeling train Usurp the land and dispossess the swain; Along the lawn, where scatter'd hamlets rose, Unwieldy wealth and cumbrous pomp repose; And every want to luxury allied, And every pang that folly pays to pride.
Sida 112 - What modes of sight betwixt each wide extreme, The mole's dim curtain and the lynx's beam ! Of smell, the headlong lioness between And hound sagacious on the tainted green ! Of hearing, from the life that fills' the flood To that which warbles through the vernal wood ! The spider's touch, how exquisitely fine ! Feels at each thread, and lives along the line...