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of the wall, at which we began our survey. The bank was elevated about thirty feet above the river, and had been protected by a wall of stone, most of which had fallen down. Among the fragments lying on the ground on this side is the portrait here given.

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The plan was complicated, and, the whole ground being overgrown with trees, difficult to make out. There was no entire pyramid, but, at most, two or three pyramidal sides, and these joined on to terraces or other structures of the same kind. Beyond the wall of enclosure were walls, terraces, and pyramidal elevations running off into the forest, which sometimes confused us. Probably the whole was not erected at the same time, but additions were made and statues erected by different kings, or, perhaps, in commemoration of important events in the history of the city. Along the whole line were ranges of steps with pyramidal elevations, probably crowned on the top with buildings or altars now ruined* All these steps and the pyramidal sides were painted, and the reader may imagine the effect when the whole country was clear of forest, and priest and people were ascending from the

outside to the terraces, and thence to the holy places within to pay their adoration in the temple.

Within this enclosure are two rectangular courtyards, having ranges of steps ascending to terraces. The area of each is about forty feet above the river. Of the larger and most distant from the river the steps have all fallen, and constitute mere mounds. On one side, at the foot of the pyramidal wall, is the monument or "idol" marked B, of which the engraving represents the front. It is about the same height with the others, but differs in shape, being larger at the top than below. Its appearance and character are tasteful and pleasing, but the sculpture is in much lower relief; the expression of the hands is good, though somewhat formal. The figure of a man shows the relative height. The back and sides are covered with hieroglyphics.

Near this, at the point marked A, is a remarkable altar, which perhaps presents as curious a subject of speculation as any monument in Copan. The altars, like the idols, are all of a single block of stone. In general they are not so richly ornamented, and are more faded and worn, or covered with moss; some were completely buried, and of others it was difficult to make out more than the form. All differed in fashion, and doubtless had some distinct and peculiar reference to the idols before which they stood. This stands on four globes cut out of the same stone; the sculpture is in bas-relief, and it is the only specimen of that kind of sculpture found at Copan, all the rest being in bold alto-relievo. It is six feet square and four feet high, and the top is divided into thirty-six tablets of hieroglyphics, which beyond doubt record some event in the history of the mysterious people who once inhabited the

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