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A BURIED IMAGE. 151

A little behind this is the monument marked T. It Js one of the most beautiful in Copan, and in workmanship is equal to the finest Egyptian sculpture. Indeed, it would be impossible, with the best instruments of modern times, to cut stones more perfectly. It stands at the foot of a wall of steps, with only the head and part of the breast rising above the earth. The rest is buried, and probably as perfect as the portion which is now visible. When we first discovered it, it was buried up to the eyes. Arrested by the beauty of the sculpture, and by its solemn and mournful position, we commenced excavating. As the ground was level up to that mark, the excavation was made by loosening the earth with the machete, and scooping it out with the hands. As we proceeded, the earth formed a wall around and increased the labour. The Indians struck so carelessly with their machetes, that, afraid to let them work near the stone, we cleared it with our own hands. It was impossible, however, to continue; the earth was matted together by roots which entwined and bound the monument. It required a complete throwing out of the earth for ten or twelve feet around; and without any proper instruments, and afraid of injuring the sculpture, we preferred to let it remain, to be excavated by ourselves at some future time or by some future traveller. Whoever he may be, I almost envy him the satisfaction of doing it. The outline of the trees growing around it is given in the engraving.

Toward the south, at a distance of fifty feet, is a mass of fallen sculpture, with an altar, marked R on the map; and at ninety feet distance is the statue marked Q, standing with its front to the east, twelve feet high and three feet square, on an oblong pedestal seven feet in front and six feet two inches on the sides. Before it, at a distance of eight feet three inches, is an altar five feet eight inches long, three feet eight inches broad, and four feet high.

The face of this “idol” is decidedly that of a man. The beard is of a curious fashion, and joined to the mustache and hair. The ears are large, though not resembling nature; the expression is grand, the mouth partly open, and the eyeballs seem starting from the sockets; the intention of the sculptor seems to have been to excite terror. The feet are ornamented with sandals, probably of the skins of some wild animals, in the fashion of that day.

The back of this monument contrasts remarkably with the horrible portrait in front. It has nothing grotesque or pertaining to the rude conceits of Indians, but is noticeable for its extreme grace and beauty. In our daily walks we often stopped to gaze at it, and the more we gazed the more it grew upon us. Others seemed intended to inspire terror, and, with their altars before them, sometimes suggested the idea of a blind, bigoted, and superstitious people, and sacrifices of human victims. This always left a pleasing impression; and there was a higher interest, for we considered that in its medallion tablets the people who reared it had published a record of themselves, through which we might one day hold conference with a perished race, and unveil the mystery that hung over the city.

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