Mar. No more of that; in silence hear
my doom:

A hermitage has furnished fit relief
To some offenders: other penitents,
Less patient in their wretchedness, have
fallen,

Like the old Roman, on their own sword's point.

They had their choice: a wanderer must I go, The Spectre of that innocent Man, my guide.

No human ear shall ever hear me speak; No human dwelling ever give me food, 330 Or sleep, or rest: but, over waste and wild,

In search of nothing, that this earth can give,

But expiation, will I wander on A Man by pain and thought compelled to live,

Yet loathing life-till anger is appeased In Heaven, and Mercy gives me leave to die.

under the roof of the father of my friend, Robert Jones. In reference to this Poem I will here mention one of the most remarkable facts

in my own poetic history and that of Mr. Coleridge. In the spring of the year 1798, he, my Sister, and myself, started from Alfoxden, pretty late in the afternoon, with a view to visit Lenton and the valley of Stones near it; and as our united funds were very small, we agreed to defray the expense of the tour by writing a poem, to be sent to the New Monthly Magazine set up by Phillips the bookseller, and edited by Dr. Aikin. Accordingly we set off and proceeded along the Quantock Hills towards Watchet, and in the course of this walk was planned the poem of the "Ancient Mariner," founded on a dream, as Mr. Coleridge said, of his friend, Mr. Cruikshank. Much the greatest part of the story was Mr. Coleridge's invention; but certain parts I myself suggested-for example, some crime was to be committed which should bring upon the old Navigator, as Coleridge afterwards delighted to call him, the spectral persecution, as a consequence of that crime, and his own wanderings. I had been reading in Shelvock's Voyages a day or two before that while doubling Cape Horn they frequently saw Albatrosses in that latitude, the largest sort of sea-fowl, some extending their wings twelve or fifteen feet. "Suppose," said I, "you represent him as having killed one of these birds on entering the South Sea, and that the tutelary Spirits of those regions take upon them to avenge the crime." The incident was thought fit for the purpose and adopted accordingly. I also suggested the navigation of the ship by the dead men, but do not recollect that I had anything more to do with the scheme of the poem. The Gloss with which it was subsequently accompanied was not thought of by either of us at the time; at least, not a hint of it was given to me, and I have no doubt it was a gratuitous after-thought. We began the composition together on that, to me, memorable evening. I furnished two or three lines at the beginning of the poem, in particular :

:--

"And listened like a three years' child;

The Mariner had his will."

These trifling contributions, all but one (which Mr. C. has with unnecessary scrupulosity recorded) slipt out of his mind as they well might. As we endeavoured to proceed conjointly (I speak of the same evening) our respective manners proved so widely different that it would have been quite presumptuous in me to do anything but separate from an undertaking upon which I could only have been a clog. We returned after a few days from a

delightful tour, of which I have many pleasant, and some of them droll-enough, recollections. We returned by Dulverton to Alfoxden. The "Ancient Mariner" grew and grew till it became too important for our first object, which was limited to our expectation of five pounds, and we began to talk of a Volume, which was to consist, as Mr. Coleridge has told the world, of poems chiefly on supernatural subjects taken from common life, but looked at, as much as might be, through an imaginative medium. Accordingly I wrote "The Idiot Boy," "Her eyes are wild," etc., "We are seven," "The Thorn," and some others. To return to "We are seven," the piece that called forth this note, I composed it while walking in the grove at Alfoxden. My friends will not deem it too trifling to relate that while walking to and fro I composed the last stanza first, having begun with the last line. When it was all but finished, I came in and recited it to Mr. Coleridge and my Sister, and said, "A prefatory stanza must be added, and I should sit down to our little tea-meal with greater pleasure if my task were finished." I mentioned in substance what I wished to be expressed, and Coleridge immediately threw off the stanza thus:

"A little child, dear brother Jem," —

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I objected to the rhyme, "dear brother Jem," as being ludicrous, but we all enjoyed the joke of hitching-in our friend, James T―'s name, who was familiarly called Jem. He was the brother of the dramatist, and this reminds me of an anecdote which it may be worth while here to notice. The said Jem got a sight of the Lyrical Ballads as it was going through the press at Bristol, during which time I was residing in that city. One evening he came to me with a grave face, and said, Wordsworth, I have seen the volume that Coleridge and you are about to publish. There is one poem in it which I earnestly entreat you will cancel, for, if published, it will make you everlastingly ridiculous." I answered that I felt much obliged by the interest he took in my good name as a writer, and begged to know what was the unfortunate piece he alluded to. He said, "It is called 'We are seven.'" Nay! said I, that shall take its chance, however, and he left me in despair. I have only to add that in the spring of 1841 I revisited Goodrich Castle, not having seen that part of the Wye since I met the little Girl there in 1793. It would have given me greater pleasure to have found in the neighbouring hamlet traces of one who had interested me so much; but that was impossible, as unfortunately I did not even know her name. The ruin, from its position and fea

tures, is a most impressive object. I could not but deeply regret that its solemnity was impaired by a fantastic new Castle set up on a projection of the same ridge, as if to show how far modern art can go in surpassing all that could be done by antiquity and nature with their united graces, remembrances, and associa

tions.

A SIMPLE Child,

That lightly draws its breath, And feels its life in every limb, What should it know of death?

I met a little cottage Girl:

She was eight years old, she said; Her hair was thick with many a curl That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:

Her eyes were fair, and very fair; - Her beauty made me glad.

"Sisters and brothers, little Maid, How many may you be?" "How many? Seven in all," she said And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the church-yard lie,
My sister and my brother;

And, in the church-yard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,

Yet ye are seven! - I pray you tell,
Sweet Maid, how this may be."

Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree.”

“You run about, my little Maid, Your limbs they are alive;

If two are in the church-yard laid, Then ye are only five."

"Their graves are green, they may be seen," The little Maid replied,

"Twelve steps or more from my mother's door,

And they are side by side.

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My stockings there I often knit,
My kerchief there I hem;

And there upon the ground I sit,
And sing a song to them.

"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane; In bed she moaning lay,

Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid; And, when the grass was dry,

Together round her grave we played, My brother John and I.

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