Anne. He is in heaven, where thou shalt never come. Glo. Let him thank me, that holp to send hím thither; For he was fitter for that place, than earth. Anne. And thou unfit for any place, but hell. Glo. Yes, one place else, if you will hear me name it. Anne. Some dungeon. Anne. Ill reft betide the chamber where thou lyest Glo. I know fo. -But, gentle lady Anne, To leave this keen encounter of our wits, Anne. + Thou wast the cause, and most accurs'd 3 effect. -a flower method;-) As quick was used for sprightly, fo flower was put for ferious. In the next scene lord Grey defires the queen to -cheer his grace with quick and merry words. STEEVENS. 4 Thou waft the cause, and most accurs'd effect;] Effect, for executioner. He asks, was not the caufer as ill as the executioner? She answers, Thou wast both. But, for causer, using the word cause, this led her to the word effect, for execution, or executioner. But the Oxford editor, troubling himself with nothing of this, will make a fine oratorical period of it: Thou waft the cause. And most accurs'd th' effect!` WARBURTON. I cannot but be rather of fir T. Hanmer's opinion than Dr. Warburton's, because effect is used immediately in its common sense, in answer to this line. JOHNSON. I believe the old reading is the true one. So, in the Yorkshire Tragedy, 1608: Effect, quality, property; thou, thou." STEEVENS. VOL. VII. thou art the caufe, Glo. Your beauty was the cause of that effect Anne. If I thought that, I tell thee, homicide, These nails should rend that beauty from my cheeks. Glo. These eyes could not endure that beauty's wreck, You should not blemish it, if I stood by : Anne. Black night o'ershade thy day, and death thy life! Glo. Curse not thyself, fair creature; thou art both. Anne. I would I were, to be reveng'd on thee.. Glo. It is a quarrel most unnatural, To be reveng'd on him that loveth thee. Anne. It is a quarrel just and reasonable, To be reveng'd on him that kill'd my husband. Glo. He that bereft thee, lady, of thy husband, Did it to help thee to a better husband. Anne. His better doth not breathe upon the earth. Glo. He lives, that loves you better than he could. Anne. Name him. Glo. Plantagenet. Anne. Why, that was he. Glo. The felf-fame name, but one of better nature. Anne. Where is he? Glo. Here: [She Spits at him.] Why dost thou spit at me? Anne. Would it were mortal poison, for thy fake! Glo. Never came poison from so sweet a place. Anne. Never hung poison on a fouler toad. Out of my fight! thou dost infect mine eyes. Glo. Thine eyes, sweet lady, have infected mine. Anne. 'Would they were bafilifks, to strike the dead! Glo. Glo. I would they were, that I might die at once; For now they kill me with a living death 5. Those eyes of thine from mine have drawn falt tears, Sham'd their afpects with itore of childish drops: These eyes, which never shed remorseful tear, 6 Not, when my father York and Edward wept, My tongue could never learn sweet foothing word; My proud heart sues, and prompts my tongue to fpeak. [She looks scornfully at him. Teach not thy lip such scorn; for it was made 5-they kill me with a living death.] In imitation of this passage, and, I suppose, of a thousand more, Pope writes: - a living death I bear, Says Dapperwit, and funk beside his chair." JOHNSON. The fame conceit occurs in The trimming of Tho. Nash, 1597: "How happy the rat, caught in a trap, and there dies a living "death?" STEEVENS. Again, in our author's Venus and Adonis : " For I have heard it [love] is a life in death, MALONE. These eyes, which never &c.] The twelve following beauti ful lines added after the first editions. They were added with many more. POPE. C2 I lay 1 I lay it naked to the deadly stroke, And humbly beg the death upon my knee. [He lays his breast open, she offers at it with his fword. Nay, do not paufe; for I did kill king Henry; But 'twas thy beauty that provoked me. Nay, now dispatch; 'twas I that stabb'd young Ed But 'twas thy heavenly face that set me on. [She lets fall the fword. Take up the sword again, or take up me. Anne. Arife, dissembler; though I wish thy death, I will not be thy executioner. Glo. Then bid me kill myself, and I will do it. Glo. That was in thy rage: Speak it again, and, even with the word, Anne. Well, well, put up your fword. Anne. To take is not to give. [She puts on the ring. Glo. Look, how this ring encompasseth thy finger, Even so thy breast encloseth my poor heart; And if thy poor devoted servant may Shakspeare countenances the 7 But 'twas thy beauty observation, that no woman can ever be offended with the men. tion of her beauty. JOHNSON.. But But beg one favour at thy gracious hand, Glo. That it may please you leave these sad designs To him that hath more cause to be a mourner, t Anne. With all my heart; and much it joys me too, Anne. 'Tis more than you deserve : Imagine I have faid farewel already. [Exeunt two, with lady Anne. Glo. Take up the corse, firs. Gen. Towards Chertsey, noble lord? Glo. No, to White-Fryars; there attend my coming. [Exeunt the rest, with the corfe. Was ever woman in this humour woo'd? *Crosby-place:] A house near Bishopfgate-street, belong. ing to the duke of Gloster. JOHNSON. Crosby-Place is now Crosby-square in Bishopsgate-street; part of the house is yet remaining, and is a meeting place for a prefbyterian congregation. Sir J. HAWKINS. 9 Imagine I have said farewel already.] Cibber, who altered Rich. III. for the stage, was so thoroughly convinced of the ridiculousness and improbability of this scene, that he thought himself obliged to make Treffel fay: When future chronicles shall speak of this, STEEVENS. |