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too prominently before the world, nor treated as events of overwhelming importance and enduring moment. I would not counsel Tom and Ellinor, in the mid-summer of their engagement, to have their photographs taken together in affectionate attitudes.

The pictures of an imaginary kind which deal with the subject of romantic love are, almost without exception, fatuous and futile. The inanely amatory, with their languishing eyes, weary us. The endlessly osculatory, with their protracted salutations, are sickening. Even when an air of sentimental propriety is thrown about them by some such title as "Wedded" or "The Honeymoon," they fatigue us. For the most part, they remind me of the remark which the Commodore made upon a certain painting of Jupiter and Io which used to hang in the writing-room of the Contrary Club, but has now been retired to the upper stairway.

"Sir," said that gently piercing critic, "that picture is equally unsatisfactory to the artist, to the moralist, and to the voluptuary.”

Nevertheless, having made a clean breast of my misgivings and reservations on the subject of lovers and landscape, I will now confess

that the whole of my doubts do not weigh much against my unreasoned faith in romantic love. At heart I am no infidel, but a most obstinate believer and devotee. My seasons of skepticism are transient. They are connected with a torpid liver and aggravated by confinement to a sedentary life and enforced abstinence from angling. Out-of-doors, I return to a saner and happier frame of mind.

As my wheel rolls along the Riverside Drive in the golden glow of the sunset, I rejoice that the episode of Charles Henry and Matilda Jane has not been omitted from the view. This vast

and populous city, with all its passing show of life, would be little better than a waste, howling wilderness if we could not catch a glimpse, now and then, of young people falling in love in the good old-fashioned way. Even on a troutstream, I have seen nothing prettier than the sight upon which I once came suddenly as I was fishing down the Neversink.

A boy was kneeling beside the brook, and a girl was giving him a drink of water out of her rosy hands. They stared with wonder and compassion at the wet and solitary angler, wading down the stream, as if he were some kind of a mild lunatic. But as I glanced discreetly at their small tableau, I was not uncon

scious of the new joy that came into the landscape with the presence of

"A lover and his lass."

I knew how sweet the water tasted from that kind of a cup. I also have lived in Arcadia, and have not forgotten the way back.

A FATAL SUCCESS

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