Czech and Slovak Cinema: Theme and TraditionEdinburgh University Press, 9 aug. 2010 - 272 sidor This book is the first study in English to examine some of the key themes and traditions of Czech and Slovak cinema, linking inter-war and post-war cinemas together with developments in the post-Communist period. It examines links between theme, genre, and visual style, and looks at the ways in which a range of styles and traditions has extended across different historical periods and political regimes. Czech and Slovak Cinema provides a unique study of areas of Central European film history that have not previously been examined in English. |
Innehåll
| 1 | |
| 15 | |
2 Comedy | 32 |
3 Realism | 55 |
4 Politics | 75 |
5 The Holocaust | 95 |
6 Lyricism | 112 |
7 The Absurd | 129 |
8 The AvantGarde | 144 |
9 Surrealism | 168 |
10 Animation | 188 |
11 Slovak Directions | 206 |
| 229 | |
Filmography | 243 |
| 254 | |
Andra upplagor - Visa alla
Vanliga ord och fraser
absurd adapted animation appears approach argued attempt avant-garde become begins Central Central Europe characters cinema Closely collaboration comedy Communism Communist concern continued course create critical culture Czech Czechoslovakia death described directed director documentary early effects Europe European experience fact Fall father figure film film’s final German girl give hand images important influence interest Jewish Jirˇí Josef Karel landscape leading less light linked lives London lyrical Martin moves narrative Nazi Night noted novel observation original particularly Party period Peter play points political Prague present Press production puppet realism reality recall references reflected relationship remains role scenes script seems sense sequence shots Slovak Slovakia social story style success suggests surrealist Švankmajer theatre theme tion tradition turns Václav village wife writing young