Exchange, Old St. Paul's, the Theatres, &c. all of which he contrasts, in their state of silence and desertion, with the appearance they had made a few weeks before. But as this article has already been extended, perhaps beyond its due bounds, it is necessary to bring it here to a conclusion. Beccles. W. T. SPURDens. ART. CXLIV. Halelujah: or Britans Second Remembrancer, bringing to remembrance (in praisefull and pænitentiall Hymns, Spirituall Songs, and Morall Odes) Meditations advancing the glory of God, in the practise of pietie and vertue: and applyed to easie Tunes, to be sung in Families, &c. Composed in a three-fold volume by George Wither. The first contains Hymns occasionall: the second, Hymns temporary: the third, Hymns personall. That all persons, according to their degrees and qualities, may at all times, and upon all eminent occasions, be remembered to praise God; and to be mindfull of their duties. "One woe is past; the second, passing on; London: Printed by J. L. for Andrew Hebb, at the Bell in Pauls Church-yard, 1641. 12mo. pp. 487, beside prefixes and table of contents. : FEW books, of a cotemporary date, can more readily be procured than Wither's first Remembrancer, in 1628; few, it is believed, can be more difficult of attainment than this his second Remembrancer, licensed in 1640. Herbert had a copy among his bibliographical rarities, which went to Mr. Alexander Dalrymple, who has said "there are some things interspersed in it, no where, perhaps, to be surpassed." The copy now used, was derived from the duplicates of the Ashridge library, which were sold at King's auction-room in August 1800. It appears to have belonged to John, second Earl of Bridgewater, so amiably recorded for undeviating affection to the memory of his angelic wife; and it is very remarkable, that at p. 404, the leaf is folded down, and several alterations are made in a handwriting of his time, with an obvious view of rendering the following pious meditation more conformable to personal feelings, sentiments, and resolutions. Presuming that these manuscript corrections were made by Lord Bridgewater,‡ (for I do not trace them on any other page of the book,) it cannot be otherwise than interesting to see them subjoined. I therefore insert these additions between brackets :where him is printed in italics, her seems to have been intended for its substitute. PART 3. HYMN XXVII. "For a Widower, or a Widow, deprived of a loving yoke-fellow. "That such as be deprived of their most deare companions, may not be swallowed up in excessive *See Extracts from Wither's Juvenilia, 1785, p. 15. ↑ Birkenhead, the wit and loyalist, wrote an anniversary poem on the Nuptials of John, Earl of Bridgewater, 22 July, 1652. Vide Athenæ, II. 640. They are in the Earl's own hand-writing. Editor. griefe, and so forget their Christian hopes and duties; this Hymn teacheth a moderate expressing of their natural passions, and remembers them of things not to be forgotten in their sorrow. Sing this as "I loved thee once." "How neer me came the hand of Death, And took away the precious breath Which quick'ned my beloved peer! [wife!] Alas! how am I left alone! The voice which I did more esteem All earthlie comforts vanish thus: I, therefore, do not so bemoan (Though these beseeming tears I drop) The losse of my beloved one, Lord! keep me faithfull to the trust Yet neither life nor death should end Those helps which I through him enjoy'd, [And let not me e're wed againe, Such was not only the sanctified prayer but the exemplary practice of the noble Earl; who left this ® memorial on his tomb, as a test of inviolate fidelity, that he had sorrowfully worn out a widowhood of three-and-twenty years. Wither inscribes his estimable volume "to the thrice-honourable high courts of parliament, assembled in the triple empire of the British Isles;" and he remarks, what was not indeed peculiar to his own time, "so innumerable are the foolish and prophane songs now delighted in (to the dishonour of our language and religion) that Halelujahs and pious meditations are almost out of use and fashion: yea, not in private only, but at our publike feasts and civil meetings also, scurrilous and obscene songs are impudently sung, without respecting the reverend presence of matrons, virgins, magistrates, or divines." In an address to the reader he further says—“I have observed three sorts of Poesie, now in fashion. One, consisteth merely of rhymes, clinches, anagrammatical fancies, or such like verbal or literal conceits as delight schoolboys and pedantical wits; having nothing in them either to better the understanding, or stirre up good affections. These rattles of the brain are much admired by those, who being men in years, continue children in understanding. Another sort of Poesie, is the delivery of necessary truths and wholesome documents, couched in significant parables; and illustrated by such flowers of rhetoric as are helpfull to work upon the affections. These inventions are most acceptable to those who have ascended the middle region of knowledge. A third Poesie there is, which delivers commodious truths, and things really necessary, in as plain and in as universal termes as it can possibly devise. This is not so plausible among the wittie, as acceptable to the wise; because it regardeth not so much to seem elegant, as to be usefull for all persons in all times. To this plaine and |