Characters of Shakespeare's PlaysH. Milford, Oxford University Press, 1966 - 287 sidor |
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Sida xvi
... critic— at any rate of a critic of poetry - is , as Jeffrey puts the antithesis , to feel rather than to know ; while to be delicately sensitive and sympathetic counts more than to be well - informed ; nevertheless learning remains ...
... critic— at any rate of a critic of poetry - is , as Jeffrey puts the antithesis , to feel rather than to know ; while to be delicately sensitive and sympathetic counts more than to be well - informed ; nevertheless learning remains ...
Sida xxvi
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attrac- tive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
... critic has executed this part of his design , were in avoiding an appearance of mysticism in his style , not very attrac- tive to the English reader , and in bringing illustrations from particular passages of the plays themselves , of ...
Sida xxxii
... critic must necessarily be a poet : but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks ...
... critic must necessarily be a poet : but to be a good critic , he ought not to be a bad poet . Such poetry as a man deliberately writes , such , and such only will he like . Dr. Johnson's Preface to his edition of Shakespeare looks ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Obegränsad förhandsgranskning - 1920 |
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood breath Brutus Caesar Caliban character circumstances Claudio comedy comic Coriolanus critic Cymbeline death Desdemona Dost thou doth dramatic eyes Falstaff father favour fear feeling fool friends genius give Gonerill grace grave Hamlet hast hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet king lady Lear live Locrine London Prodigal look lord Macbeth Malvolio manner Midsummer Night's Dream mind moral nature never night noble Othello passages passion Perdita person piece pity play pleasure poet poetry Prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sir Toby sleep soul speak speare speech spirit striking sweet tenderness thee things thou art thought tion Titus Andronicus tongue tragedy truth wife William Hazlitt words youth