Ulyssesanboco, 30 aug. 2016 - 500 sidor Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early twentieth century context of modernism, Dublin, and Ireland's relationship to Britain. The novel imitates registers of centuries of English literature and is highly allusive. Ulysses' stream-of-consciousness technique, careful structuring, and experimental prose — full of puns, parodies, and allusions — as well as its rich characterisation and broad humour, made the book a highly regarded novel in the modernist pantheon. Joyce fans worldwide now celebrate 16 June as Bloomsday. |
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... talking, sir? the old woman said to Haines. Haines spoke to her again a longer speech, confidently. —Irish, Buck Mulligan said. Is there Gaelic on you? —I thought it was Irish, she said, by the sound of it. Are you from the west, sir ...
... talking, sir? the old woman said to Haines. Haines spoke to her again a longer speech, confidently. —Irish, Buck Mulligan said. Is there Gaelic on you? —I thought it was Irish, she said, by the sound of it. Are you from the west, sir ...
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... talking hands. —And there's your Latin quarter hat, he said. Stephen picked it up and put it on. Haines called to them from the doorway: —Are you coming, you fellows? —I'm ready, Buck Mulligan answered, going towards the door. Come out ...
... talking hands. —And there's your Latin quarter hat, he said. Stephen picked it up and put it on. Haines called to them from the doorway: —Are you coming, you fellows? —I'm ready, Buck Mulligan answered, going towards the door. Come out ...
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... Talking of one thing or another. Lady's hand. Which side will she get up? —And he said: Sad thing about our poor friend Paddy! What Paddy? I said. Poor little Paddy Dignam, he said. Off to the country: Broadstone probably. High brown ...
... Talking of one thing or another. Lady's hand. Which side will she get up? —And he said: Sad thing about our poor friend Paddy! What Paddy? I said. Poor little Paddy Dignam, he said. Off to the country: Broadstone probably. High brown ...
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... talking about where the old blind Abraham recognises the voice and puts his fingers on his face. Nathan's voice! His son's voice! I hear the voice of Nathan who left his father to die of grief and misery in my arms, who left the house ...
... talking about where the old blind Abraham recognises the voice and puts his fingers on his face. Nathan's voice! His son's voice! I hear the voice of Nathan who left his father to die of grief and misery in my arms, who left the house ...
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arms asked better bloody Bloom Boylan Buck Mulligan Cissy Caffrey Corny Kelleher cried dark dead Deasy Dedalus Dignam Dollard Dolphin's Barn door Dublin eyes face Father Conmee fellow fingers FLORRY gentleman Gerty girl Haines hair hand head hear heard heart Howth Ireland Irish J. J. O'Molloy Jack Power Kevin Egan kiss lady laughing Lenehan Leopold Leopold Bloom lips look Lord Lynch Martin Cunningham Menton Metempsychosis Molly morning mother mouth Mullingar Myles Crawford Nelson's pillar never night Paddy Dignam passed pocket poor Poulaphouca Red Murray round says Alf says Joe says the citizen shillings Simon Dedalus smiled Stephen Stephen Dedalus street suppose sweet tell There's thing told turned Virag voice Wait walked watch What's wife woman wonder words wouldnt young Zinfandel