The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 37
... action and with the func- tion . The several kinds of embellishment include metre and song ; and these separate tragedy from the gnomic and dithyrambic poetry . It is in the from of action , unlike the epic . The definition is ...
... action and with the func- tion . The several kinds of embellishment include metre and song ; and these separate tragedy from the gnomic and dithyrambic poetry . It is in the from of action , unlike the epic . The definition is ...
Sida 38
... action . He does not mention dianoia as a cause of dramatic action . He refers to dianoia as revealed in speech . In the drama the characters explain their motives and actions ; and any speech to be useful must reveal this purpose ...
... action . He does not mention dianoia as a cause of dramatic action . He refers to dianoia as revealed in speech . In the drama the characters explain their motives and actions ; and any speech to be useful must reveal this purpose ...
Sida 389
... actions " which have " an inherent interest in themselves " . Here is a gospel of the excellent action for its own sake . Action means an " " inwardness ' as it is revealed in the " feelings and behaviour " . Arnold told Clough in 1852 ...
... actions " which have " an inherent interest in themselves " . Here is a gospel of the excellent action for its own sake . Action means an " " inwardness ' as it is revealed in the " feelings and behaviour " . Arnold told Clough in 1852 ...
Innehåll
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write