The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
Från bokens innehåll
Resultat 1-3 av 90
Sida 157
... drama and the English drama . Lisideus who defends the superiority of the French drama states at the outset that he is not going to refer to the English drama prevalent forty years ago . In other words he seeks to compare the English ...
... drama and the English drama . Lisideus who defends the superiority of the French drama states at the outset that he is not going to refer to the English drama prevalent forty years ago . In other words he seeks to compare the English ...
Sida 158
... drama is beautiful because of its rhyme . Neander comes forward to defend the English drama , He begins by reminding the others of the definition of the play with which the dialogue started . This makes him state that the French drama ...
... drama is beautiful because of its rhyme . Neander comes forward to defend the English drama , He begins by reminding the others of the definition of the play with which the dialogue started . This makes him state that the French drama ...
Sida 236
... drama " misunderstood the rules of the ancient drama " . With Aristotle he held that the drama is the highest form of poetry and that the object of poetry is action . As against Winckelmann he argued in the early period that beauty and ...
... drama " misunderstood the rules of the ancient drama " . With Aristotle he held that the drama is the highest form of poetry and that the object of poetry is action . As against Winckelmann he argued in the early period that beauty and ...
Innehåll
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
5 andra avsnitt visas inte
Vanliga ord och fraser
A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write