The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 288
... fancy and a quick sense of beauty ' . These are ' necessary for the orna- ments and foliage of the column and the roof ' . Yet it is certain that " Imagination must have fancy . In short the higher intellectual powers can only act ...
... fancy and a quick sense of beauty ' . These are ' necessary for the orna- ments and foliage of the column and the roof ' . Yet it is certain that " Imagination must have fancy . In short the higher intellectual powers can only act ...
Sida 291
... Fancy and understanding are always preoccupied with the familiar world of selfish activities . They interfere with the free activity of the aesthetic senses and of the heart . The range of fancy is strictly limited to the appearances ...
... Fancy and understanding are always preoccupied with the familiar world of selfish activities . They interfere with the free activity of the aesthetic senses and of the heart . The range of fancy is strictly limited to the appearances ...
Sida 292
... fancy involves selection , while imagination transmutes . The distinction between fancy and imagination depends on the criterion of value . Fancy involves images or impressions while imaginations refers to intuitions which are universal ...
... fancy involves selection , while imagination transmutes . The distinction between fancy and imagination depends on the criterion of value . Fancy involves images or impressions while imaginations refers to intuitions which are universal ...
Innehåll
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write