The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 22
... ideal form , attains its end . This end is immanent in the object and it is not yet actualised . The nature of an object can be interpreted only in terms of what it does or be- comes . The artist should have an insight into the ideal ...
... ideal form , attains its end . This end is immanent in the object and it is not yet actualised . The nature of an object can be interpreted only in terms of what it does or be- comes . The artist should have an insight into the ideal ...
Sida 197
... ideal critic is the first to befriend true merit and he protects the fame of the great writers even in the face of odds . He cannot please all and he is bound to irritate some . But the ideal critic has a code of conduct . He has ...
... ideal critic is the first to befriend true merit and he protects the fame of the great writers even in the face of odds . He cannot please all and he is bound to irritate some . But the ideal critic has a code of conduct . He has ...
Sida 331
... ideal perfection . Shelley therefore observes that the poet has to " colour with the hues of the ideal everything he touches . " Where a relation to the ideal is absent , there we have no poetry . But the relation can be direct or ...
... ideal perfection . Shelley therefore observes that the poet has to " colour with the hues of the ideal everything he touches . " Where a relation to the ideal is absent , there we have no poetry . But the relation can be direct or ...
Innehåll
The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write