The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 422
... meaning " , a significant form " . In good poetry , therefore , we have a meaning that can be expressed only in its own words . Any change of words involves a change of meaning . The rhythm and the meaning of a poem are one . The form ...
... meaning " , a significant form " . In good poetry , therefore , we have a meaning that can be expressed only in its own words . Any change of words involves a change of meaning . The rhythm and the meaning of a poem are one . The form ...
Sida 445
... meaning depends on the stability of the context in which a word is used , and such a stability is not possible ... meaning and which is influenced by meaning . Thus he writes : " The move- ment of the verse becomes the movement of the ...
... meaning depends on the stability of the context in which a word is used , and such a stability is not possible ... meaning and which is influenced by meaning . Thus he writes : " The move- ment of the verse becomes the movement of the ...
Sida 446
... meaning to the context in which they are placed , thereby getting their own meanings transformed . The words supporting one another mutually are modified by the whole work and they do transform the meaning of the whole . As the poet ...
... meaning to the context in which they are placed , thereby getting their own meanings transformed . The words supporting one another mutually are modified by the whole work and they do transform the meaning of the whole . As the poet ...
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The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write