The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 73
... passion . " Nothing is so conducive to sublimity as an appropriate display of genuine passion , which bursts out with a kind of ' fine madness ' and divine inspiration , and falls on our ears like the voice of a god . " Lofty thought ...
... passion . " Nothing is so conducive to sublimity as an appropriate display of genuine passion , which bursts out with a kind of ' fine madness ' and divine inspiration , and falls on our ears like the voice of a god . " Lofty thought ...
Sida 76
... passion , the inspiration of the moment . The figure asyndeton is the omission of connecting words . The omission of the connecting words gives a quick movement and reveals a rush of feelings and emotions . The poet is unable to keep ...
... passion , the inspiration of the moment . The figure asyndeton is the omission of connecting words . The omission of the connecting words gives a quick movement and reveals a rush of feelings and emotions . The poet is unable to keep ...
Sida 314
P. S. Sastri. has passion and sensibility . He says that ' strong passions command figurative language ' that ' figures of speech are originally the off- spring of passion ' , and that a strong passion employs ' a language more measured ...
P. S. Sastri. has passion and sensibility . He says that ' strong passions command figurative language ' that ' figures of speech are originally the off- spring of passion ' , and that a strong passion employs ' a language more measured ...
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The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write