The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 112
... philosophers cannot be viewed as poets because they meant to be only philosophers . But they could not appear before their public as philosophers . Sidney admits that philosophers " durst not a long time appear to the world but under ...
... philosophers cannot be viewed as poets because they meant to be only philosophers . But they could not appear before their public as philosophers . Sidney admits that philosophers " durst not a long time appear to the world but under ...
Sida 415
... philosophical one since philosophy is scientia qualitatum . Croce plays here the vanishing card . A difficult ques- tion can be answered by saying that it is not philosophical . Croce holds that expression is perfect and the beautiful ...
... philosophical one since philosophy is scientia qualitatum . Croce plays here the vanishing card . A difficult ques- tion can be answered by saying that it is not philosophical . Croce holds that expression is perfect and the beautiful ...
Sida 515
... philosophies . If a critical theory arose without any such reference ; even then it does not imply its independence of a philosophical system ; for any discussion of art does involve assumptions that go beyond art . Hence " the number ...
... philosophies . If a critical theory arose without any such reference ; even then it does not imply its independence of a philosophical system ; for any discussion of art does involve assumptions that go beyond art . Hence " the number ...
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The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write