The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 65
... style because " we must rely on feeling and take nature for our guide " . A good style gradually evolves out of the subjectmatter and out of a sensitivity to decorum . In other words , the writer must subject him- self to correctness ...
... style because " we must rely on feeling and take nature for our guide " . A good style gradually evolves out of the subjectmatter and out of a sensitivity to decorum . In other words , the writer must subject him- self to correctness ...
Sida 124
... style . Sidney finds a more effective style of writing in the works of some courtiers who were no scholars . These men had tact and taste and wrote without a knowledge of the rules . They followed the rules prescribed by Nature . A good ...
... style . Sidney finds a more effective style of writing in the works of some courtiers who were no scholars . These men had tact and taste and wrote without a knowledge of the rules . They followed the rules prescribed by Nature . A good ...
Sida 390
... style involves the choice of subject , the form and organisation or the architectonics , and verbal expression . The proper style , he says , " is a peculiar recasting and heightening , under a certain condition of spiritual excitement ...
... style involves the choice of subject , the form and organisation or the architectonics , and verbal expression . The proper style , he says , " is a peculiar recasting and heightening , under a certain condition of spiritual excitement ...
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The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write