The History of Literary CriticismLakshmi Narain Agarwal, 1969 - 519 sidor |
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Sida 162
... takes away the spirit by adding to the polishing , so that there remains nothing but a dull correctness , a piece without any considerable faults but with few beauties ; for when the spirits are drawn off there is nothing left but a ...
... takes away the spirit by adding to the polishing , so that there remains nothing but a dull correctness , a piece without any considerable faults but with few beauties ; for when the spirits are drawn off there is nothing left but a ...
Sida 167
... takes a view of the whole together , whether . it be good or not " . The total work is to be evaluated . It is not useful to enumerate the minor details and their defects . At the same time a proper evaluation takes note of the writers ...
... takes a view of the whole together , whether . it be good or not " . The total work is to be evaluated . It is not useful to enumerate the minor details and their defects . At the same time a proper evaluation takes note of the writers ...
Sida 510
... take the literary work to be " a whole system of signs , or structure of signs , serving a specific aesthetic purpose " . The Aristotelian poetics , however , takes poetry to be a class of products having language as the medium . The ...
... take the literary work to be " a whole system of signs , or structure of signs , serving a specific aesthetic purpose " . The Aristotelian poetics , however , takes poetry to be a class of products having language as the medium . The ...
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The Beginnings | 5 |
Towards a theory of Expression | 60 |
Tendencies during the Renascence | 91 |
Upphovsrätt | |
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A. C. Bradley action activity aesthetic ancient appears approach argues arises Aristophanes Aristotelian Aristotle Arnold artist beauty Ben Jonson character classical Coleridge comedy concept creative critical theory criticism Croce delight diction distinction drama dramatist Dryden Eliot embodied emotion emphasised epic epic poetry Essay Euripides evokes experience expression fancy feeling function genius gives Greek hamartia harmony Hegel Homer ideal ideas images imagination imitation intuition Johnson judgment kind L. A. Reid language literary literature Longinus lyric meaning method metre mind moral neoclassical neoclassicist object observes passion philosophical Plato play pleasure plot poem poet poet's poetic poetic diction poetry Pope present principle problem Quintilian reader reality reason refers rejects relation reveals rhetoric rhythm rules says sense Shakespeare Shelley Sidney soul speaks spirit style sublime symbol symbolists taste theory things thought tion tragedy true truth unity universal verse whole words Wordsworth write