Museum of Painting and Sculpture: Or, Collection of the Principal Pictures, Statues and Bas-reliefs in the Public and Private Galleries of Europe, Volym 5Bossange, 1829 |
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... left his father's dwel- ling and wasted all his substance . Being reduced to the ut- most want , he was obliged to tend swine : thus he came to him- self and turned his thoughts to ask pardon for his sins . « I will said he , arise and ...
... left his father's dwel- ling and wasted all his substance . Being reduced to the ut- most want , he was obliged to tend swine : thus he came to him- self and turned his thoughts to ask pardon for his sins . « I will said he , arise and ...
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... left at Florence her son , who was ill ; and entrusted him to the care of the Bishop of that town . The young man being dead , the holy prelate , caused him to be placed in the public square , and , with the clergy , turned in ...
... left at Florence her son , who was ill ; and entrusted him to the care of the Bishop of that town . The young man being dead , the holy prelate , caused him to be placed in the public square , and , with the clergy , turned in ...
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... left the town , and approached the Christian camp , in the hope of seeing there , her beloved Tancred : but the moonlight caused the arms , she had on , to be recognized , and thus she was soon attacked with so much fury , that the ...
... left the town , and approached the Christian camp , in the hope of seeing there , her beloved Tancred : but the moonlight caused the arms , she had on , to be recognized , and thus she was soon attacked with so much fury , that the ...
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... left the abodes of Cytherea and of Paphos to cross the rocks and mountains , and constantly follow the youth whom she so tenderly loved . But the affection of Adonis was not equal to that of Venus : his ardour for the chase was un ...
... left the abodes of Cytherea and of Paphos to cross the rocks and mountains , and constantly follow the youth whom she so tenderly loved . But the affection of Adonis was not equal to that of Venus : his ardour for the chase was un ...
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... left Her- cules . Guido , in his composition , has given the centaur so ardent an expression , that his intention is readily guessed : in this picture , Giordano has given him a look of uneasiness wherein predominates the fear of the ...
... left Her- cules . Guido , in his composition , has given the centaur so ardent an expression , that his intention is readily guessed : in this picture , Giordano has given him a look of uneasiness wherein predominates the fear of the ...
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Museum of Painting and Sculpture: Or, Collection of the Principal ..., Volym 5 Etienne Achille Réveil Obegränsad förhandsgranskning - 1829 |
Museum of Painting and Sculpture, Or, Collection of the Principal ..., Volym 5 Etienne Achille Réveil Obegränsad förhandsgranskning - 1829 |
Museum of Painting and Sculpture: Or, Collection of the Principal ..., Volym 5 Etienne Achille Réveil Obegränsad förhandsgranskning - 1829 |