Shakespeare and the Reason: A Study of the Tragedies and the Problem PlaysRoutledge, 11 okt. 2013 - 224 sidor 'Mr Hawkes is a good critic, oriented towards history of ideas. He operates on the formula that Shakespeare was interested in the available distinctions between discursive and intuitive reason, and disliked a growing tendency for the first to be thought of as manly and the second effeminate. One sees how this action-contemplation polarity works, in Hamlet for instance, and Mr Hawkes thinks the kind of choices forced on tragic heroes can be better understood in terms of it.' Frank Kermode, New Statesman. In the seven plays on which the book concentrates, Terence Hawkes finds Shakespeare investigating the operation of two opposed forms of reason, and constructing dramatic metaphors such as the opposition between appearance and reality, or that between true 'manliness' and its false counterpart, which express to the full the tragic nature of the situation. |
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Resultat 1-5 av 54
Sida ix
... speak of matters of medieval and renaissance philosophy and theology as well as of other related areas of human thought in order properly to state my case. Because this constitutes an invasion of the territory of specialists of all 1x ...
... speak of matters of medieval and renaissance philosophy and theology as well as of other related areas of human thought in order properly to state my case. Because this constitutes an invasion of the territory of specialists of all 1x ...
Sida x
... speak for themselves and their structure encouraged to impose itself on what is said about them rather than the reverse. Whilst an attempt has been made to direct the reader's attention in a certain way, any otherwise unwarranted ...
... speak for themselves and their structure encouraged to impose itself on what is said about them rather than the reverse. Whilst an attempt has been made to direct the reader's attention in a certain way, any otherwise unwarranted ...
Sida 1
... speaks of a 'dynamic opposition' between two faculties of the human mind and makes this the baSiS of a brilliant analysis of the fundamental philosophical oppositions with which the play itself is concerned. 1 He admits nevertheless ...
... speaks of a 'dynamic opposition' between two faculties of the human mind and makes this the baSiS of a brilliant analysis of the fundamental philosophical oppositions with which the play itself is concerned. 1 He admits nevertheless ...
Sida 5
... speak to itself by means of art; it can use metaphor where we would require argument; it can watch a play where we would lOok for facts and figures. Because Shakespearean drama depends so heavily on language of a metaphorical kind ...
... speak to itself by means of art; it can use metaphor where we would require argument; it can watch a play where we would lOok for facts and figures. Because Shakespearean drama depends so heavily on language of a metaphorical kind ...
Sida 8
... speaks of the human mind in a manner which recalls that of the Greek thinkers.3 Like Aristotle, he divides it into two faculties, calling these the ratio superior,. 1 De Anima, Bk. III. See D. J. Allan, The Philosophy of Aristotle ...
... speaks of the human mind in a manner which recalls that of the Greek thinkers.3 Like Aristotle, he divides it into two faculties, calling these the ratio superior,. 1 De Anima, Bk. III. See D. J. Allan, The Philosophy of Aristotle ...
Innehåll
1 | |
2 Hamlet | 39 |
3
The Problem Plays | 72 |
4
Othello | 100 |
5
Macbeth | 124 |
6 King Lear | 160 |
Conclusion | 194 |
Index | 203 |
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Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes Begränsad förhandsgranskning - 2004 |
Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes Begränsad förhandsgranskning - 2013 |
Shakespeare and the Reason: A Study of the Tragedies and the Problem Plays Terence Hawkes Ingen förhandsgranskning - 2013 |
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acceptance action Alfred Harbage Angels appearance and reality Aquinas argument becomes Bertram Brabantio Claudius Claudius’s confined conflict Cordelia Court Cressida death deceived Desdemona devilish discursive divine dramatic Duncan’s Edgar Edmund Elizabethan equivocation evil express fact faculty final finally finds first Fool fulfil Ghost Gloucester God’s Goneril Goneril and Regan Hamlet heaven higher honour human Iago Iago’s idea involves Isabella kind King Lear L. C. Knights Lady Macbeth later Lear’s lies London madness man’s manliness means Measure for Measure mercy metaphor mind mind’s mode murder nature Neo-platonic Nevertheless non-rational notion opposed opposition Othello perhaps play’s plot Polonius problem plays prophecies rational reason and intuition reflect result reveals role says scientific seems sense Shakespeare significance Significantly situation sort soul speaks speech spiritual stage structure suggests things thinking thou tragedy tragic Troilus Troilus and Cressida truth values Wilson Knight Witches words