Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 sidor This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Sida 122
... Caliban goes on to describe a lost community of mutual support and co - operation . He taught the newcomers about the island , and they taught him the names and uses of things ( though he has either forgotten the words ' sun ' and ...
... Caliban goes on to describe a lost community of mutual support and co - operation . He taught the newcomers about the island , and they taught him the names and uses of things ( though he has either forgotten the words ' sun ' and ...
Sida 123
... Caliban and Miranda , as her initiation of his mind is met with his attempted initiation of her body . Miranda conveys what she did for Caliban : When thou didst not , savage , Know thine own meaning , but wouldst gabble like A thing ...
... Caliban and Miranda , as her initiation of his mind is met with his attempted initiation of her body . Miranda conveys what she did for Caliban : When thou didst not , savage , Know thine own meaning , but wouldst gabble like A thing ...
Sida 127
... Caliban words . Here the gap closes instantly . His marriage proposal , which comes only a few lines later , makes her virginity the only condition ( 1.2.448–50 ) . His frankness makes him seem as direct as Caliban , but unlike Caliban ...
... Caliban words . Here the gap closes instantly . His marriage proposal , which comes only a few lines later , makes her virginity the only condition ( 1.2.448–50 ) . His frankness makes him seem as direct as Caliban , but unlike Caliban ...
Innehåll
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Upphovsrätt | |
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action actors Altofront appears Aretina Ariel audience authority Bacon Bartholomew Fair becomes beggars beginning brazen head Caliban calls centre characters claims comedy comes court created Cynthia death describes Dream Easy effect Elizabeth Elizabethan Endymion England English Fair feel figure final freedom Friar Friar Bacon gives identity imagine island John Jonson keep King lady land language later leave live London look lord lovers magic Malcontent Malevole Margaret masque matter means Miranda nature never notes offers Overdo performance Pietro Plautus play play's pleasure political Prospero puts Queen question Quomodo recalls references relationship Renaissance role scene seems sense Shakespeare simply sleep social society speech spirits stage story suggests tells Tempest Term theatre thee Theseus thing thou tradition turn wants watch women
Hänvisningar till den här boken
Richard Brome: Place and Politics on the Caroline Stage Matthew Steggle Fragmentarisk förhandsgranskning - 2004 |