Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 sidor This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Sida 12
... Queen . They did not just watch the play ; they watched the Queen watching the play , and this is significant for Endymion in particular.3 Lyly , assuming he was present , would have been watching the Queen with particular care . He had ...
... Queen . They did not just watch the play ; they watched the Queen watching the play , and this is significant for Endymion in particular.3 Lyly , assuming he was present , would have been watching the Queen with particular care . He had ...
Sida 13
... Queen Elizabeth , it participates in the quasi- religious cult of adoration that surrounded the ageing Virgin Queen , a cult that in Protestant England seems to have replaced devotion to the Virgin Mary and used some of the same ...
... Queen Elizabeth , it participates in the quasi- religious cult of adoration that surrounded the ageing Virgin Queen , a cult that in Protestant England seems to have replaced devotion to the Virgin Mary and used some of the same ...
Sida 15
... Queen to choose for her . ( According to Marion Jones , she made the wrong choice and threw the performance into ... Queen watches the play , and the audience watches her , a boy actor presents her on stage . But as the boy is and is not ...
... Queen to choose for her . ( According to Marion Jones , she made the wrong choice and threw the performance into ... Queen watches the play , and the audience watches her , a boy actor presents her on stage . But as the boy is and is not ...
Innehåll
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Upphovsrätt | |
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action actors Altofront appears Aretina Ariel audience authority Bacon Bartholomew Fair becomes beggars beginning brazen head Caliban calls centre characters claims comedy comes court created Cynthia death describes Dream Easy effect Elizabeth Elizabethan Endymion England English Fair feel figure final freedom Friar Friar Bacon gives identity imagine island John Jonson keep King lady land language later leave live London look lord lovers magic Malcontent Malevole Margaret masque matter means Miranda nature never notes offers Overdo performance Pietro Plautus play play's pleasure political Prospero puts Queen question Quomodo recalls references relationship Renaissance role scene seems sense Shakespeare simply sleep social society speech spirits stage story suggests tells Tempest Term theatre thee Theseus thing thou tradition turn wants watch women
Hänvisningar till den här boken
Richard Brome: Place and Politics on the Caroline Stage Matthew Steggle Fragmentarisk förhandsgranskning - 2004 |