Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 sidor This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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... created the ' Christian Terence ' tradition , centred on the Low Countries , in which the cheerful debauchery of the ... creating a play not of intrigue but of ideas , almost a percursor of the Shavian discussion play ( though Shaw got ...
... created the ' Christian Terence ' tradition , centred on the Low Countries , in which the cheerful debauchery of the ... creating a play not of intrigue but of ideas , almost a percursor of the Shavian discussion play ( though Shaw got ...
Sida 120
... created that evil : my trust , Like a good parent , did beget of him A falsehood in its contrary as great As my trust was . ( 1.2.93-6 ) In that respect his magic was positively dangerous , and he was responsible . This may explain the ...
... created that evil : my trust , Like a good parent , did beget of him A falsehood in its contrary as great As my trust was . ( 1.2.93-6 ) In that respect his magic was positively dangerous , and he was responsible . This may explain the ...
Sida 128
... created an anxiety in Prospero that he finds hard to shake – another reason why the sudden memory of Caliban makes Prospero so angry , and destroys the wedding masque . - The vision of harmony and fertility that the masque creates is ...
... created an anxiety in Prospero that he finds hard to shake – another reason why the sudden memory of Caliban makes Prospero so angry , and destroys the wedding masque . - The vision of harmony and fertility that the masque creates is ...
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Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
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actors Altofront Antonio Aretina Ariel audience Aurelia authority Bacon and Friar Bartholomew Fair beggars Ben Jonson Bornwell Bungay Caliban Celestina centre characters claims comic Country Wench court courtiers Cynthia Demetrius devil Dipsas disguise Drama Duke Egeus Elizabeth Elizabethan Endymion English Renaissance Eumenides fairies Ferdinand Friar Bacon Friar Bungay gives Greene's Helena Hell Hermia Hippolyta identity imagine John Lyly John Marston Jonson Kickshaw King Lacy lady Lady of Pleasure land Lethe London lord lovers Lyly Lyly's Lysander magic Malcontent Malevole Margaret marriage Marston masque Mendoza Michaelmas Term Middleton Midsummer Night's Dream Miranda moon Oberon Oldrents performance Pietro play play's playhouse political Prospero puppet Pyramus and Thisbe Quarlous Queen Quomodo recalls relationship Renaissance comedy role satire scene seems sense sexual Shakespeare Shortyard sleep social society speech spirits stage Stephano suggests tells Tellus Tempest theatre thee Theseus thou Titania tradition Trinculo Ursula watch Winwife women
Hänvisningar till den här boken
Richard Brome: Place and Politics on the Caroline Stage Matthew Steggle Fragmentarisk förhandsgranskning - 2004 |