Introduction to English Renaissance ComedyManchester University Press, 1999 - 186 sidor This guide provides a comprehensive introduction to Elizabethan, Jacobean and Caroline comedy, covering both public and private theatres, encompassing the eclective, experimental nature of this comedy: its departures from the mainstream New Comedy tradition and its searching, witty analysis of social and personal relations in court, city and country. This book, an analysis of some of the richest comedies of the periods, makes sometimes inexpected connection between them: Shakespeare's A Midsummer Night's Dream and The Tempest, Lyly's Endymion, Greene's Friar Bacon and Friar Bungay, Marston's The Malcontent, Middleton's Michaelmas Term, Jonson's Bartholemew Fair, Shirley's The Lady of Pleasure and Brome's A Jovial Crew. Through these plays the reader is given a picture of English comedy in one of its most creative periods. |
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Sida 116
... freedom - Where the bee sucks , there suck I , In a cowslip's bell I lie ; There I couch when owls do cry ; On the bat's back do I fly .. ... ( 5.1.88-91 ) we realize that this is the true Ariel , and all we have seen is the form he ...
... freedom - Where the bee sucks , there suck I , In a cowslip's bell I lie ; There I couch when owls do cry ; On the bat's back do I fly .. ... ( 5.1.88-91 ) we realize that this is the true Ariel , and all we have seen is the form he ...
Sida 117
... freedom ' ( 3.1.88-9 ) . The idea of love as service , which can be a dead metaphor , is given life by the literal servitude Ferdinand is performing . For him the service of love is freedom . The final revelation of the lovers playing ...
... freedom ' ( 3.1.88-9 ) . The idea of love as service , which can be a dead metaphor , is given life by the literal servitude Ferdinand is performing . For him the service of love is freedom . The final revelation of the lovers playing ...
Sida 179
... freedom of movement characteristic of romance . This not only allows journeys in which the setting itself shifts , but entails freedom of other kinds : freedom to deal not just with family issues but with matters of state ; freedom to ...
... freedom of movement characteristic of romance . This not only allows journeys in which the setting itself shifts , but entails freedom of other kinds : freedom to deal not just with family issues but with matters of state ; freedom to ...
Innehåll
Lyly Endymion | 19 |
Greene Friar Bacon and Friar Bungay | 30 |
Shakespeare A Midsummer Nights Dream | 61 |
Upphovsrätt | |
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action actors Altofront appears Aretina Ariel audience authority Bacon Bartholomew Fair becomes beggars beginning brazen head Caliban calls centre characters claims comedy comes court created Cynthia death describes Dream Easy effect Elizabeth Elizabethan Endymion England English Fair feel figure final freedom Friar Friar Bacon gives identity imagine island John Jonson keep King lady land language later leave live London look lord lovers magic Malcontent Malevole Margaret masque matter means Miranda nature never notes offers Overdo performance Pietro Plautus play play's pleasure political Prospero puts Queen question Quomodo recalls references relationship Renaissance role scene seems sense Shakespeare simply sleep social society speech spirits stage story suggests tells Tempest Term theatre thee Theseus thing thou tradition turn wants watch women
Hänvisningar till den här boken
Richard Brome: Place and Politics on the Caroline Stage Matthew Steggle Fragmentarisk förhandsgranskning - 2004 |