Characters of Shakespeare's PlaysUniversity Press, 1908 - 280 sidor |
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... Dream Romeo and Juliet • Lear • Richard II Henry IV Henry V Henry VI Richard III Henry VIII King John · PAGE ix I II 21 33 40 54 59 69 78 84 92 ΙΟΟ 106 . · 119 137 144 154 163 171 179 183 Twelfth Night ; or , what you will The Two.
... Dream Romeo and Juliet • Lear • Richard II Henry IV Henry V Henry VI Richard III Henry VIII King John · PAGE ix I II 21 33 40 54 59 69 78 84 92 ΙΟΟ 106 . · 119 137 144 154 163 171 179 183 Twelfth Night ; or , what you will The Two.
Sida 8
... Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common ...
... Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; nor do we think he would have any very profound feeling of the beauty of the passages here referred to . A stately common ...
Sida 12
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
Sida 21
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello ...
... Lear , Othello and Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello ...
Sida 41
... Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Macbeth . The interest in Hamlet is more remote and ...
... Lear is indeed more dreadful and overpowering : but it is less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions described in Macbeth . The interest in Hamlet is more remote and ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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actor admirable affections Antony Apemantus banished beauty blood Boccacio breath Brutus Cæsar Caliban character Claudio comedy comic Cordelia Coriolanus critic CYMBELINE death Decameron Desdemona dost doth Dr Johnson dramatic eyes Falstaff fancy fear feeling fool friends genius give Goneril grace Hamlet hast hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral Mucedorus nature never night noble note referring Othello passages passion Perdita person pity play pleasure poet poetry prince Regan revenge rich Richard Richard III Romeo ROMEO AND JULIET scene Schlegel sense Shake Shakespear shew shewn Sir Toby sleep soul speak speech spirit stage story striking sweet tender thee thing thou art thought tion Titus Andronicus tragedy truth wife words Yorkshire Tragedy youth