Characters of Shakespeare's PlaysUniversity Press, 1908 - 280 sidor |
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Sida 15
... thee , My hunger's gone ; but even before , I was At point to sink for food . " She afterwards finds , as she thinks , the dead body of Posthumus , and engages herself as a footboy to serve a Roman officer , when she has done all due ...
... thee , My hunger's gone ; but even before , I was At point to sink for food . " She afterwards finds , as she thinks , the dead body of Posthumus , and engages herself as a footboy to serve a Roman officer , when she has done all due ...
Sida 24
... thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heav'n peep through the blanket of the dark , To cry , hold , hold ! — When she first hears that " Duncan comes there to sleep " she is so overcome ...
... thee in the dunnest smoke of hell , That my keen knife see not the wound it makes , Nor heav'n peep through the blanket of the dark , To cry , hold , hold ! — When she first hears that " Duncan comes there to sleep " she is so overcome ...
Sida 25
... thee from the golden round , Which fate and metaphysical aid doth seem To have thee crowned withal . " This swelling exultation and keen spirit of triumph , this uncontrollable eagerness of anticipation , which seems to dilate her ...
... thee from the golden round , Which fate and metaphysical aid doth seem To have thee crowned withal . " This swelling exultation and keen spirit of triumph , this uncontrollable eagerness of anticipation , which seems to dilate her ...
Sida 35
... thee what is to be fear'd Than what I fear ; for always I am Cæsar . Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius 3-2 JULIUS CÆSAR ...
... thee what is to be fear'd Than what I fear ; for always I am Cæsar . Come on my right hand , for this ear is deaf , And tell me truly what thou think'st of him . " We know hardly any passage more expressive of the genius 3-2 JULIUS CÆSAR ...
Sida 55
... thee . " The manners are everywhere preserved with dis- tinct truth . The poet and painter are very skilfully played off against one another , both affecting great attention to the other , and each taken up with his own vanity , and the ...
... thee . " The manners are everywhere preserved with dis- tinct truth . The poet and painter are very skilfully played off against one another , both affecting great attention to the other , and each taken up with his own vanity , and the ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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actor admirable affections Antony Apemantus banished beauty blood Boccacio breath Brutus Cæsar Caliban character Claudio comedy comic Cordelia Coriolanus critic CYMBELINE death Decameron Desdemona dost doth Dr Johnson dramatic eyes Falstaff fancy fear feeling fool friends genius give Goneril grace Hamlet hast hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral Mucedorus nature never night noble note referring Othello passages passion Perdita person pity play pleasure poet poetry prince Regan revenge rich Richard Richard III Romeo ROMEO AND JULIET scene Schlegel sense Shake Shakespear shew shewn Sir Toby sleep soul speak speech spirit stage story striking sweet tender thee thing thou art thought tion Titus Andronicus tragedy truth wife words Yorkshire Tragedy youth