Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida v
... 116 THE MIDSUMMER NIGHT'S DREAM 127 ROMEO AND JULIET 136 LEAR 154 RICHARD II 178 HENRY IV . IN TWO PARTS 188 HENRY V 202 HENRY VI . IN THREE PARTS 214 RICHARD III . 225 PAGE HENRY VIII • KING JOHN 236 242 TWELFTH NIGHT.
... 116 THE MIDSUMMER NIGHT'S DREAM 127 ROMEO AND JULIET 136 LEAR 154 RICHARD II 178 HENRY IV . IN TWO PARTS 188 HENRY V 202 HENRY VI . IN THREE PARTS 214 RICHARD III . 225 PAGE HENRY VIII • KING JOHN 236 242 TWELFTH NIGHT.
Sida xxii
... be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; sages nor do we think he would have any very xxii PREFACE .
... be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; sages nor do we think he would have any very xxii PREFACE .
Sida 2
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
... Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is ...
Sida 14
... " his answer conveys at once a tacit reproof of her hypocrisy , and a useful lesson of humanity- " Your highness Shall from this practice but make hard your heart . " МАСВЕТ Н. MACBETH and Lear , Othello and Hamlet , 14 CYMBELINE .
... " his answer conveys at once a tacit reproof of her hypocrisy , and a useful lesson of humanity- " Your highness Shall from this practice but make hard your heart . " МАСВЕТ Н. MACBETH and Lear , Othello and Hamlet , 14 CYMBELINE .
Sida 15
William Hazlitt. МАСВЕТ Н. MACBETH and Lear , Othello and Hamlet , are usually reckoned Shakspeare's four principal tra- gedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination ...
William Hazlitt. МАСВЕТ Н. MACBETH and Lear , Othello and Hamlet , are usually reckoned Shakspeare's four principal tra- gedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth