Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida x
... genius , or the same philo- sophical acuteness in pointing out his charac- teristic excellencies . As we have pretty well exhausted all we had to say upon this subject in the body of the work , we shall here tran- scribe Schlegel's ...
... genius , or the same philo- sophical acuteness in pointing out his charac- teristic excellencies . As we have pretty well exhausted all we had to say upon this subject in the body of the work , we shall here tran- scribe Schlegel's ...
Sida xvi
... genius the utmost elevation and the utmost depth ; and the most foreign and even apparently irreconcileable properties subsist in him peaceably together . The world of spirits and nature have laid all their trea- sures at his feet . In ...
... genius the utmost elevation and the utmost depth ; and the most foreign and even apparently irreconcileable properties subsist in him peaceably together . The world of spirits and nature have laid all their trea- sures at his feet . In ...
Sida xviii
... genius . We have a high respect for Dr Johnson's character and understanding , mixed with something like personal attachment : but he was neither a poet nor a judge of poetry . He might in one sense be a judge of poetry as it falls ...
... genius . We have a high respect for Dr Johnson's character and understanding , mixed with something like personal attachment : but he was neither a poet nor a judge of poetry . He might in one sense be a judge of poetry as it falls ...
Sida xix
... genius , nor reflected them . The shifting shapes of fancy , the rainbow hues of things , made no impres- sion on him : he seized only on the permanent and tangible . He had no idea of natural objects but " such as he could measure with ...
... genius , nor reflected them . The shifting shapes of fancy , the rainbow hues of things , made no impres- sion on him : he seized only on the permanent and tangible . He had no idea of natural objects but " such as he could measure with ...
Sida xx
... genius and feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was to the poet what the painter of still ...
... genius and feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was to the poet what the painter of still ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth