Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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... LOVE'S LABOUR'S LOST 273 282 288 MUCH ADO ABOUT NOTHING 293 • AS YOU LIKE IT 299 THE TAMING OF THE SHREW 305 MEASURE FOR MEASURE 313 THE MERRY WIVES OF WINDSOR 320 • THE COMEDY OF ERRORS 324 DOUBTFUL PLAYS OF SHAKSPEARE 328 POEMS AND ...
... LOVE'S LABOUR'S LOST 273 282 288 MUCH ADO ABOUT NOTHING 293 • AS YOU LIKE IT 299 THE TAMING OF THE SHREW 305 MEASURE FOR MEASURE 313 THE MERRY WIVES OF WINDSOR 320 • THE COMEDY OF ERRORS 324 DOUBTFUL PLAYS OF SHAKSPEARE 328 POEMS AND ...
Sida xvi
... love like a child ; and his He plays songs are He unites breathed out like melting sighs . in his genius the utmost elevation and the utmost depth ; and the most foreign and even apparently irreconcileable properties subsist in him ...
... love like a child ; and his He plays songs are He unites breathed out like melting sighs . in his genius the utmost elevation and the utmost depth ; and the most foreign and even apparently irreconcileable properties subsist in him ...
Sida xxiv
... love , " the allusion to " the lids of Juno's eyes " must appear ex- travagant and unmeaning . Shakspeare's fancy lent words and images to the most refined sensibility , to nature , struggling for expression : his descriptions are ...
... love , " the allusion to " the lids of Juno's eyes " must appear ex- travagant and unmeaning . Shakspeare's fancy lent words and images to the most refined sensibility , to nature , struggling for expression : his descriptions are ...
Sida xxvi
... love . What he does best , he soon ceases to do . He no sooner begins to move than he counteracts himself ; and terror and pity , as they are rising in the mind , are checked and blasted by sudden frigidity . " In all this , our critic ...
... love . What he does best , he soon ceases to do . He no sooner begins to move than he counteracts himself ; and terror and pity , as they are rising in the mind , are checked and blasted by sudden frigidity . " In all this , our critic ...
Sida 7
... love . She all along relies little on her personal charms , which she fears may have been eclipsed by some painted jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our ...
... love . She all along relies little on her personal charms , which she fears may have been eclipsed by some painted jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth