Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida vii
... she speaks through him . " His characters are so much nature her- self , that it is a sort of injury to call them by so distant a name as copies of her . Those of other poets have a constant resemblance , which shows PREFACE.
... she speaks through him . " His characters are so much nature her- self , that it is a sort of injury to call them by so distant a name as copies of her . Those of other poets have a constant resemblance , which shows PREFACE.
Sida viii
William Hazlitt. of other poets have a constant resemblance , which shows that they have received them from one another , and were but multipliers of the same image : each picture , like a mock rainbow , is but the reflection of a ...
William Hazlitt. of other poets have a constant resemblance , which shows that they have received them from one another , and were but multipliers of the same image : each picture , like a mock rainbow , is but the reflection of a ...
Sida xii
... poets , who , in the language of Lessing , are thorough masters of the legal style of love . He paints , in a most inimi- table manner , the gradual progress from the first origin . He gives , ' as Lessing says , ' a living picture of ...
... poets , who , in the language of Lessing , are thorough masters of the legal style of love . He paints , in a most inimi- table manner , the gradual progress from the first origin . He gives , ' as Lessing says , ' a living picture of ...
Sida xiv
... poet , like the clown in the proverb , must strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dried so soon as tears ; and ...
... poet , like the clown in the proverb , must strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dried so soon as tears ; and ...
Sida xv
... poet . Fortunately for his art , Shakspeare lived in an age extremely susceptible of noble and tender impressions , but which had still enough of the firmness inherited from a vigor- ous olden time , not to shrink back with dis- may ...
... poet . Fortunately for his art , Shakspeare lived in an age extremely susceptible of noble and tender impressions , but which had still enough of the firmness inherited from a vigor- ous olden time , not to shrink back with dis- may ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth