Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida xxiv
... refined sensibility , to nature , struggling for expression : his descriptions are identical with the things themselves , seen through the fine medium of passion : strip them of that connexion , and try them by ordinary conceptions and ...
... refined sensibility , to nature , struggling for expression : his descriptions are identical with the things themselves , seen through the fine medium of passion : strip them of that connexion , and try them by ordinary conceptions and ...
Sida 1
... refined from the principle of perspective intro- duced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The reading of this play is like going a journey with some uncertain object at the ...
... refined from the principle of perspective intro- duced into the subject by the imaginary changes of scene as well as by the length of time it occupies . The reading of this play is like going a journey with some uncertain object at the ...
Sida 15
... refined development of thought and sentiment . If the force of genius shown in each of these works is astonishing , their variety is not less so . They are like different creations of the same mind , not one of which has the slightest ...
... refined development of thought and sentiment . If the force of genius shown in each of these works is astonishing , their variety is not less so . They are like different creations of the same mind , not one of which has the slightest ...
Sida 39
... . " His scepticism as to prodigies and his moralising on the weather- " This disturbed sky is not to walk in " are in the same spirit of refined imbecility . - Shakspeare has in this play and elsewhere shown the same JULIUS CESAR . 39.
... . " His scepticism as to prodigies and his moralising on the weather- " This disturbed sky is not to walk in " are in the same spirit of refined imbecility . - Shakspeare has in this play and elsewhere shown the same JULIUS CESAR . 39.
Sida 108
... refining on his own feelings , and forced from the natural bias of his character by the strangeness of his situation . He seems incapable of deliberate action , and is only hurried into extremities on the spur of the occasion , when he ...
... refining on his own feelings , and forced from the natural bias of his character by the strangeness of his situation . He seems incapable of deliberate action , and is only hurried into extremities on the spur of the occasion , when he ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth