Characters of Shakespeare's PlaysTempleman, 1848 - 345 sidor |
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Sida 3
... tion of the female character , the sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one else ever so ...
... tion of the female character , the sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one else ever so ...
Sida 18
... tion . His energy springs from the anxiety and agitation of his mind . His blindly rushing forward on the objects of his ambition and revenge , or his recoiling from them , equally betrays the harassed state of his feelings . This part ...
... tion . His energy springs from the anxiety and agitation of his mind . His blindly rushing forward on the objects of his ambition and revenge , or his recoiling from them , equally betrays the harassed state of his feelings . This part ...
Sida 22
... tion , by the manner of introducing it , occurs in a speech of Duncan , complaining of his having been deceived in his opinion of the Thane of Cawdor , at the very moment that he is expressing the most unbounded confidence in the ...
... tion , by the manner of introducing it , occurs in a speech of Duncan , complaining of his having been deceived in his opinion of the Thane of Cawdor , at the very moment that he is expressing the most unbounded confidence in the ...
Sida 46
... , would have answered the common purposes of effect , and satisfied the ambi- tion of an ordinary painter of character . Shak- speare has laboured the finer shades of difference in both with as much care and skill as if he 46 OTHELLO .
... , would have answered the common purposes of effect , and satisfied the ambi- tion of an ordinary painter of character . Shak- speare has laboured the finer shades of difference in both with as much care and skill as if he 46 OTHELLO .
Sida 60
... enters upon the execu- tion of his design . " Iago . My noble lord , - Othello . What dost thou say , Iago ! Iago . Did Michael Cassio , when you woo'd my lady , Know of your love ? Othello . He did , from first to last . 60 OTHELLO .
... enters upon the execu- tion of his design . " Iago . My noble lord , - Othello . What dost thou say , Iago ! Iago . Did Michael Cassio , when you woo'd my lady , Know of your love ? Othello . He did , from first to last . 60 OTHELLO .
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth