The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraRoutledge, 5 nov. 2013 - 208 sidor The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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... Elizabethan audience , that the situations in which their protagonists are placed do not , in fact , admit of ' different ethical interpretations ' . This is especially true of his discussion of All's Well , with its insistence that ...
... Elizabethan audience , that the situations in which their protagonists are placed do not , in fact , admit of ' different ethical interpretations ' . This is especially true of his discussion of All's Well , with its insistence that ...
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... Elizabethans would have identified it as Caesar's ghost , come to seek revenge for his murder . But the appearance on the battle - field of Caesar's ghost in the company of Discord , who has come from the Underworld , so strikingly ...
... Elizabethans would have identified it as Caesar's ghost , come to seek revenge for his murder . But the appearance on the battle - field of Caesar's ghost in the company of Discord , who has come from the Underworld , so strikingly ...
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The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2005 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2013 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Fragmentarisk förhandsgranskning - 1963 |
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action affective Angelo Antony and Cleopatra Antony's appears attitude audience bear become bring brother Brutus Brutus's called Cassius cause character choice Christian claims Claudio closely comedies commentators concern contrast critics death discussion divided doubt Duke echoes Elizabethan experience expressed fact fall feel follow give given Hamlet hand Henry honour human important Isabel Julius Caesar Justice kind King later least less lines look means Measure for Measure mind moral murder nature never opposite pattern person play's Plutarch presentation problem play question reference relations remarks response Roman Rome scene seems seen sense Shake Shakespeare shown soliloquy sources speak speech spirit story structural suffering suggested tells term theme things thou thought throughout tragedy tragic Troilus true turn virtue whole Wilson writes