The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraRoutledge, 5 nov. 2013 - 208 sidor The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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... Plutarch and Suetonius , and the two ancient historians who dealt most extensively with the events of his life ... Plutarch's attitude towards Caesar dislike and admiration mingle , much as with Cicero . The dislike comes out strongly ...
... Plutarch and Suetonius , and the two ancient historians who dealt most extensively with the events of his life ... Plutarch's attitude towards Caesar dislike and admiration mingle , much as with Cicero . The dislike comes out strongly ...
Sida 13
... Plutarch's view of Caesar as the Man of Destiny , and of the whole drama of his rise to power , his establishment of absolute rule , and of the defeat of his assassins at Philippi , as the work of Providence . It is voiced again in his ...
... Plutarch's view of Caesar as the Man of Destiny , and of the whole drama of his rise to power , his establishment of absolute rule , and of the defeat of his assassins at Philippi , as the work of Providence . It is voiced again in his ...
Sida 14
... Plutarch only a further sign of Brutus's courage and his ' marvelous noble mind ' in killing a man of such great power and wisdom as Caesar . His view of the other conspirators seems largely determined by a desire to show Brutus as the ...
... Plutarch only a further sign of Brutus's courage and his ' marvelous noble mind ' in killing a man of such great power and wisdom as Caesar . His view of the other conspirators seems largely determined by a desire to show Brutus as the ...
Sida 15
... Plutarch or Suetonius . His divided attitude to the events which he reports seems to stem principally from a ming ... Plutarch in contrasting his char- acter with that of Brutus . To him both were equally ' noble and worthy Romanes ...
... Plutarch or Suetonius . His divided attitude to the events which he reports seems to stem principally from a ming ... Plutarch in contrasting his char- acter with that of Brutus . To him both were equally ' noble and worthy Romanes ...
Sida 17
... Plutarch , for with both writers what appears to be scant liking for Caesar as a man is coupled with a belief in him as the agent of Destiny , and with an enthusiastic admiration for the virtues of Cato of Utica . The young Petrarch's ...
... Plutarch , for with both writers what appears to be scant liking for Caesar as a man is coupled with a belief in him as the agent of Destiny , and with an enthusiastic admiration for the virtues of Cato of Utica . The young Petrarch's ...
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The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2005 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2013 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Fragmentarisk förhandsgranskning - 1963 |
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action affective Angelo Antony and Cleopatra Antony's appears attitude audience bear become bring brother Brutus Brutus's called Cassius cause character choice Christian claims Claudio closely comedies commentators concern contrast critics death discussion divided doubt Duke echoes Elizabethan experience expressed fact fall feel follow give given Hamlet hand Henry honour human important Isabel Julius Caesar Justice kind King later least less lines look means Measure for Measure mind moral murder nature never opposite pattern person play's Plutarch presentation problem play question reference relations remarks response Roman Rome scene seems seen sense Shake Shakespeare shown soliloquy sources speak speech spirit story structural suffering suggested tells term theme things thou thought throughout tragedy tragic Troilus true turn virtue whole Wilson writes