The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for Measure, Antony and CleopatraRoutledge, 5 nov. 2013 - 208 sidor The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon. |
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... whole, as is the case with some of the drama of Ibsen and the early Shaw. 1 For example, he declares that in Measure for MeasureShakespeare deliberately abstained from 'blurring the line between right and wrong' by not depicting Isabel ...
... whole, as is the case with some of the drama of Ibsen and the early Shaw. 1 For example, he declares that in Measure for MeasureShakespeare deliberately abstained from 'blurring the line between right and wrong' by not depicting Isabel ...
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... whole , as is the case with some of the drama of Ibsen and the early Shaw . What chiefly unites the four plays for Boas is ' the atmosphere of obscurity which wraps ' them and which ' closes most thickly round Hamlet ' ( p . 384 ) . And ...
... whole , as is the case with some of the drama of Ibsen and the early Shaw . What chiefly unites the four plays for Boas is ' the atmosphere of obscurity which wraps ' them and which ' closes most thickly round Hamlet ' ( p . 384 ) . And ...
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... whole drama of his rise to power , his establishment of absolute rule , and of the defeat of his assassins at Philippi , as the work of Providence . It is voiced again in his Brutus , where , after pointing out how Brutus's cause was ...
... whole drama of his rise to power , his establishment of absolute rule , and of the defeat of his assassins at Philippi , as the work of Providence . It is voiced again in his Brutus , where , after pointing out how Brutus's cause was ...
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... whole pretence was glory vayne , To haue renowne and rule aboue the rest , Without remorce of many thousands slayne , Which , for their owne defence , their warres addrest : I deeme therefore my stony harte and brest Receiu'd so many ...
... whole pretence was glory vayne , To haue renowne and rule aboue the rest , Without remorce of many thousands slayne , Which , for their owne defence , their warres addrest : I deeme therefore my stony harte and brest Receiu'd so many ...
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The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2005 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Begränsad förhandsgranskning - 2013 |
The Problem Plays of Shakespeare: A Study of Julius Caesar, Measure for ... Ernest Schanzer Fragmentarisk förhandsgranskning - 1963 |
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action affective Angelo Antony and Cleopatra Antony's appears attitude audience bear become bring brother Brutus Brutus's called Cassius cause character choice Christian claims Claudio closely comedies commentators concern contrast critics death discussion divided doubt Duke echoes Elizabethan experience expressed fact fall feel follow give given Hamlet hand Henry honour human important Isabel Julius Caesar Justice kind King later least less lines look means Measure for Measure mind moral murder nature never opposite pattern person play's Plutarch presentation problem play question reference relations remarks response Roman Rome scene seems seen sense Shake Shakespeare shown soliloquy sources speak speech spirit story structural suffering suggested tells term theme things thou thought throughout tragedy tragic Troilus true turn virtue whole Wilson writes