Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 sidor This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Sida 24
... audience held its collective breath . Despite the fascination of such tricks , the appeal of Ser- ban's production ultimately lay in the ability of the ac- tors to tell the story and to convince the audience that these characters are ...
... audience held its collective breath . Despite the fascination of such tricks , the appeal of Ser- ban's production ultimately lay in the ability of the ac- tors to tell the story and to convince the audience that these characters are ...
Sida 25
... audience a sense of beholding different actors . Thrusting back his shoulders , comically swaggering , adopting a boorish voice , Rylance incarnates a Cloten that gains more applause than his Posthumus and presents one of the few ...
... audience a sense of beholding different actors . Thrusting back his shoulders , comically swaggering , adopting a boorish voice , Rylance incarnates a Cloten that gains more applause than his Posthumus and presents one of the few ...
Sida 251
... audience " release me from my bands / With the help of your good hands , " and relieve him " by prayer , which pierces so , that it assaults / Mercy itself and frees all faults " ( Epil . 9-10 , 16-18 ) .24 The resonances between " amen ...
... audience " release me from my bands / With the help of your good hands , " and relieve him " by prayer , which pierces so , that it assaults / Mercy itself and frees all faults " ( Epil . 9-10 , 16-18 ) .24 The resonances between " amen ...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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