Shakespearean CriticismMichelle Lee Cengage Gale, 2004 - 448 sidor This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes one through ten present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Sida 12
... gives her the " manacle of love , " Posthumus calls attention to the differential values of these luxury goods and ... give " her to Posthumus ; on the contrary , when she gave herself , Cymbeline took her back again . But this gift ...
... gives her the " manacle of love , " Posthumus calls attention to the differential values of these luxury goods and ... give " her to Posthumus ; on the contrary , when she gave herself , Cymbeline took her back again . But this gift ...
Sida 246
... gives us an anti - theatrical argument in Richard III , and in the figure of Richard shows us the potential danger in the act of theater . But Richard III is not , finally , an anti - theatrical text . Though Richard is constructed of ...
... gives us an anti - theatrical argument in Richard III , and in the figure of Richard shows us the potential danger in the act of theater . But Richard III is not , finally , an anti - theatrical text . Though Richard is constructed of ...
Sida 344
... gives the players an ability to toy with kings and other potentates that recalls the power of Prospero . The lovers , bent over the chessboard , are showing control over the political world ( unlike Claribel , who was a political puppet ) ...
... gives the players an ability to toy with kings and other potentates that recalls the power of Prospero . The lovers , bent over the chessboard , are showing control over the political world ( unlike Claribel , who was a political puppet ) ...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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