Glossary of John Dryden's Critical TermsU of Minnesota Press, 1969 - 135 sidor Although John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate. Part of the problem lies in the fact that many of the critical terms. |
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... style . He owes much of this style to Montaigne , and he says so.3 Because of his rambling style , he never systematically develops a work or theory of criticism to any length , and his discussions of particular subjects , as well as ...
... style . He owes much of this style to Montaigne , and he says so.3 Because of his rambling style , he never systematically develops a work or theory of criticism to any length , and his discussions of particular subjects , as well as ...
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... style is free and familiar and his choice of words easy , but careful . Because Dryden's critical terms were in common use , they usually have both general and specific meanings . Many of Dryden's words are still current , giving his ...
... style is free and familiar and his choice of words easy , but careful . Because Dryden's critical terms were in common use , they usually have both general and specific meanings . Many of Dryden's words are still current , giving his ...
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... style , maniere d'exprimer ses pensees , de construire ses phrases , d'arranger ses termes " ( def . VI [ 1 ] ) . Dryden also uses " turn " to designate a kind of rhetorical figure he never defines . He uses only examples from Latin to ...
... style , maniere d'exprimer ses pensees , de construire ses phrases , d'arranger ses termes " ( def . VI [ 1 ] ) . Dryden also uses " turn " to designate a kind of rhetorical figure he never defines . He uses only examples from Latin to ...
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... style of speech in a play should be appropriate or fitting to the quality of the characters , the subject , and the genre of the play . Also , the quality of the characters , the seriousness of the subject , and the importance of the ...
... style of speech in a play should be appropriate or fitting to the quality of the characters , the subject , and the genre of the play . Also , the quality of the characters , the seriousness of the subject , and the importance of the ...
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... style , and thoughts ; 12 Ben Jonson's Timber ; Spingarn's three- volume Critical Essays of the Seventeenth Century ; the Columbia edition of Milton's works ; and Curt Zimansky's The Critical Works of Thomas Rymer . The number of ...
... style , and thoughts ; 12 Ben Jonson's Timber ; Spingarn's three- volume Critical Essays of the Seventeenth Century ; the Columbia edition of Milton's works ; and Curt Zimansky's The Critical Works of Thomas Rymer . The number of ...
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