At last I find thee, father! What wouldst thou? Cla. Departed? Rie. Cla. Yes. Alb. Father! Well, my child! He leads Cam. Alas! sweet lady. Go not forth, dear fatherThey lie-be sure they lie-yet go not forth! Nay, I know not. Be the guests Stay here with me! Avoid him-stay with me! All gone; and wherefore went ye To the Lateran, dear father? And where loiters Rie. Aspic! Leave me not here alone! Armed or unarmed, as friend or foe, I'll fly Cla. Nay, nay-perchance he's gone Rie. Cla. With praise of that dear name? Why dost thou Rie. A scorpion stung me. Before it sting again. Rie. Kill it, father-kill it, Alas, alas! SCENE I. An apartment in the Capitol. [Exeunt. Rienzi, seated at a table, Camillo and Alberti, dis covered in the front. Alh. My Lord, Rienzi. silent. (Rienzi motions them to be Cam. See, he waves thee off. Trouble him not, Alberti-he is chased, Alb. If thine old friend, great Tribune- Look that the headsman Be ready presently. The prisoners! Thou hast seen me fling a pardon free as air, My faith in man's bold eye-his earnest voice, Escaped from shipwreck, in a summer sea, Ang. Sir, I shall not deceive thee. Mark, Rienzi! Rie. Ang. Madman! Wouldst have me liveThou who hast levelled to the earth the pride Of my old, princely race? My kinsmen lie [Exeunt Alberti and Camillo. Scattered and fallen in the highway; and he, Ay, Even this poor simple remnant of the wars Enter Alberti, with Angelo, Frangipani, Cafarello, and other Lords-Prisoners guarded. The stateliest pillar of our house, my father, Rie. Lay me beside him in the grave. Rie. And Claudia Alas! alas, for thee, Ang. Sweet wife! Yet thou art pure as the white clouds That sail around the moon; thy home is heavenThere we shall meet again; here we are parted For ever. Rie. Ang. Rie. Wherefore? She is thy daughter. Boy! Proud abject minion of a name, a sound; Think'st thou to beard me thus! thou hast thy will. Away with them! Dost hear me, dallying slave? Off with the prisoners. Alb. Rie. All, my lord? With all. (Throwing himself into a chair. Ang. For this I thank thee. Bear one fond fare well To Claudia. Tell her, that my latest prayer Shall blend her name with mine. For thee, Rienzi, Rest on my bosom; let thy beating heart [Exeunt Alberti, Angelo, &c. A god. He hath his will; and I-my heart Cla. (without.) Father! Father! To his poor victim, ere he strikes. Do fathers Guard the door! [Looking out. To her vile cubs; the little wren hath care That, ere they had learnt speech, would smile, and That dwells in the viewless wind, and walks the seek waves Oh, father, every stroke thrills through my veins, And he shall kneel, shall kiss thy feet; wilt pardon? Rie. Rie. Have I not said that he shall live? Then stop Cla. Pardon ! Lady C. It is her husband, Claudia; My husband died in honoured fight; for him I weep not. Rie. Enter Camillo. Rie. Ay, I know thou wast too late. Bring aid. See, see! Her lips are colouring fast-she is not dead. Cam. My lord, Savelli, with a power Gathering in every street, comes on; the guards Lady C. Now, revenge, revenge! [Exit. Murderer, 't is my son, Angelo is pardoned, Claudia. Lady C. He is dead. I saw the axe, fearfully bright, She is not dead. Lady C. Claudia! she moves! Dead! Why, the dead are blessed, And she is blasted. Dead! the dead lie down In peace, and she shall pine a living ghost About thee, with pale looks and patient love, And bitter gusts of anguish, that shall cross The gentle spirit, when poor AngeloA widow's and a childless mother's curse Rest on thy head, Rienzi! Live, till Rome Hurl thee from thy proud seat; live but to prove The ecstasy of scorn, the fierce contempt That wait the tyrant fallen; then die, borne down By mighty justice! die as a wild beast Before the hunters! die, and leave a name Portentous, bloody, brief-a meteor name, Obscurely bad, or madly bright! My curse Rest on thy head, Rienzi. Rie. [Exit Camillo. How shall I endure Her voice? My child, my child! my beautiful— Whom I so loved; whom I have murdered! Claudia, Mine own beloved child! She would have given Her life for mine. Would I were dead! Re-enter Camillo, with Ladies and Attendants, who re- My dear master-thou, thyself— [Erit Camillo. She will not curse me dead-she 'll pray for me, In that poor broken heart. Oh, blessings on thee, My child-mine own sweet child! That speediest answers to the daring call Help, there! help, Camillo! Of his mad worshippers. So be it. All earthly passion, pride, and pomp, Then-but the dream that filled my soul was vast Alb. Singly? Rie. For liberty! Go seek Earth's loftiest heights, and ocean's deepest caves, Singly, sir. [Exeunt Alberti and Rienzi. The symbol and the power. What seek ye more? PREFACE. Or the Tragedy, considered as a literary production, I shall say little: that is before the reader, and must speak for itself. No one can be more conscious than I am of its numerous defects, and still more numerous deficiencies; but great as those faults may be, they are not the result of negligence or carelessness. It would be the worst of all pedantries, female pedantry, were I to enumerate the very many contemporary writers, the Histories, Memoirs, Narratives, and State Papers, the Roundhead Sermons and Cavalier Ballads from which I have endeavoured to gather not merely an accurate outline of this great event, but those minute and apparently trifling touches which might serve to realize the scene, and supply, by a vivid impression of the people and the time, the usual sources of dramatic attraction, the interest of story and suspense, from which I was cut off by the nature of my subject. Many of these allusions, those for instance to the papers concealed in the stuffing of the saddle,- to the sowing of the melon-seeds,-to Charles's constant perusal of Shakspeare whilst in prison, so prettily recorded by Milton, and to the falling of the head of the king's staff in the trial scene,—are mentioned by |