First Steps in Acting
Emphasises two lines of training. First, the recognition, planning, and communication of evocative stage imagery. Second, the development of the pantomimic and vocal instruments for the communication of this image to the audience. Considerable space is given to the building of a dramatic role.
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The Actor As ImageMaker
The Actor as InstrumentalistPantomime
The Actor as InstrumentalistSpeech
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acting action actor arms attention audience become begins BIFF body CECILY chair Chapter character close comes course desire develop direction don't door effect exercises experience expressive eyes face feeling feet force forward fundamental give goes hand HAPPY head hear hold imagination important keep kind laugh LAURA legs lift light living look means mind Miss move movement nature never night object OLD WOMAN pantomime performance person play player posture prepared present response rising role ROMEO scene sense side sits situation slowly sound speak spectator speech stage standing step suggest talk TATIANA tell theatre thing thou thought tone turns voice walk whole wish young
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The Technique of Inner Action: The Soul of a Performer's Work
Fragmentarisk förhandsgranskning - 1996