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THE ARDEN

SHAKESPEARE

General Editor, C. H. HERFORD, Litt.D., University of Manchester

THE TEMPEST

EDITED BY

FREDERICK S. BOAS, M.A.

PROFESSOR OF ENGLISH LITERATURE IN
QUEEN'S COLLEGE, BELFAST

REVISED BY

KATHARINE LEE BATES

D. C. HEATH AND COMPANY

NEW YORK

SAN FRANCISCO

LONDON

BOSTON

ATLANTA

CHICAGO

DALLAS

HARVARD
COLLEGE
LIBRARY

Copyright, 1916,

BY D. C. HEATH AND COMPANY

No part of the material covered by this
copyright may be reproduced in any form
without written permission of the publisher.

3 F 4

Printed in the United States of America

GENERAL PREFACE

In this edition of SHAKESPEARE an attempt is made to present the greater plays of the dramatist in their literary aspect, and not merely as material for the study of philology or grammar. Criticism purely verbal and textual has only been included to such an extent as may serve to help the student in the appreciation of the essential poetry. Questions of date and literary history have been fully dealt with in the Introductions, but the larger space has been devoted to the interpretative rather than the matter-of-fact order of scholarship. Esthetic judgments are never final, but the Editors have attempted to suggest points of view from which the analysis of dramatic motive and dramatic character may be profitably undertaken. In the Notes likewise, while it is hoped that all unfamiliar expressions and allusions have been adequately explained, yet it has been thought even more important to consider the dramatic value of each scene, and the part which it plays in relation to the whole. These general principles are common to the whole series; in detail each Editor is alone responsible for the play or plays that have been intrusted to him.

Every volume of the series has been provided with a Glossary, an Essay upon Metre, and an Index; and Appendices have been added upon points of special interest which could not conveniently be treated in the Introduction or the Notes. The text is based by the several Editors on that of the Globe edition.

INTRODUCTION
DRAMATIS PERSONÆ

THE TEMPEST

NOTES

APPENDIX A-The Preface and Prologue to
Dryden and Davenant's The Tempest or

the Enchanted Island

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CONTENTS

INDEX OF WORDS

GENERAL INDEX

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APPENDIX B - Mrs. F. A. Kemble's Allegorical
Interpretation of The Tempest

APPENDIX C - Metre

GLOSSARY

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INTRODUCTION

1. THE DATE OF THE PLAY

The date of The Tempest is one of the most vexed problems of Shakespearean criticism, and cannot be fixed with complete certainty. The play was printed for the first time, as far as we know, in the collected edition of Shakespeare's works, 1623, known as the First Folio. Thus all conclusions as to its date must be based upon any existing records in connection with performances, upon internal evidence, or upon conjectural allusions in contemporary writings.

Hunter, in his Disquisition on the Scene, Origin, Date, &c. of Shakespeare's Tempest (1839), assigned play to the spring or summer of 1596. He identified it with Love's Labour's Won mentioned by Francis Meres in his list of twelve of Shakespeare's plays (1598), and considered that its references to travelers' tales were inspired by Raleigh's narrative of his Voyage to Guiana (1596). Hunter further assumed that Ben Jonson, in the Prologue to Every Man in his Humour, was alluding to The Tempest in the following lines:

"He rather prays you will be pleased to see
One such to-day, as other plays should be;

Where neither chorus wafts you o'er the seas

Nor creaking throne comes down the boys to please;

Nor nimble squib is seen to make afeard The gentlewoman; nor roll'd bullet heard To say, it thunders: nor tempestuous drum Rumbles, to tell you when the storm doth come. There's hope left then, You, that have so grac'd monsters may like men." In the italicized lines Hunter detected references to (1) the descent of Juno in the Masque in Act iv; (2) the thunder and lightning in

1 We know of no performance of Every Man in his Humour before 1598, but Hunter without warrant identified it with The Umers mentioned in Henslowe's Diary, Nov. 25, 1596, since proved by Fleay to be Chapman's Humorous Day's Mirth.

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