The TempestD.C. Heath & Company, 1916 - 166 sidor |
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Sida xvi
... human character . The principal personages belong to the world of romance , and are either in part or entirely out- side the pale of ordinary experience , while the subordinate figures " 1 See , however , Charlotte Porter's study of ...
... human character . The principal personages belong to the world of romance , and are either in part or entirely out- side the pale of ordinary experience , while the subordinate figures " 1 See , however , Charlotte Porter's study of ...
Sida xix
... human serv- ice galling , and begs for his liberty . The announcement that it is at hand makes him burst into a jubilant carol , and in the closing words of the play we see him dismissed to his natural haunts . At the opposite scale of ...
... human serv- ice galling , and begs for his liberty . The announcement that it is at hand makes him burst into a jubilant carol , and in the closing words of the play we see him dismissed to his natural haunts . At the opposite scale of ...
Sida xx
... humanity scarcely , if at all , raised above the brute stage . His name is prob- ably an anagram of Cannibal , and he represents the savage as seen in his naked deformity , not through a rose - colored Arcadian or Uto- pian mist . For a ...
... humanity scarcely , if at all , raised above the brute stage . His name is prob- ably an anagram of Cannibal , and he represents the savage as seen in his naked deformity , not through a rose - colored Arcadian or Uto- pian mist . For a ...
Sida xxiv
... human ties , and finding full liberty only in his own home of the elements . ― Implicit rather than directly emphasized , this idea of the paradoxi- cal nature of freedom underlies the play , and gives it deeper signif- icance than ...
... human ties , and finding full liberty only in his own home of the elements . ― Implicit rather than directly emphasized , this idea of the paradoxi- cal nature of freedom underlies the play , and gives it deeper signif- icance than ...
Sida xxv
... human conditions , and of his own accord surrenders the omnipotence that he has valued only as the instrument of impersonal ends . But it is not its " criticism of life " that gives The Tempest so secure a place in our affections . Its ...
... human conditions , and of his own accord surrenders the omnipotence that he has valued only as the instrument of impersonal ends . But it is not its " criticism of life " that gives The Tempest so secure a place in our affections . Its ...
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Abbott Alon Alonso Antonio Antony and Cleopatra Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm command Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom enchanted Enter ARIEL Exeunt eyes father Ferdinand Ff reading fish Folio foot foul fresh give Gonzalo Hark hath hear island isle Julius Cæsar Juno King of Naples lord masque master meaning Midsummer Night's Dream Miranda monster nature never nymphs o'er passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO's cell queen quotes Re-enter ARIEL reference roar scene Sebastian sense Setebos Shake Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself tion Trin Trinculo verb vowel wind Winter's Tale word Wright