Mal. Lady, you have. Pray you, peruse that letter: You must not now deny it is your hand, Oli. Alas, Malvolio, this is not my writing, First told me, thou wast mad: then cam'st 22 in smiling, And in such forms which here were presuppos'd Upon thee in the letter. Pr'ythee, be content: This practice 23 hath most shrewdly pass'd upon thee; But, when we know the grounds and authors of it, Sirs, I will practise on this drunken man.' 23 Practice is a deceit, an insidious stratagem. So in the Induction to the Taming of the Shrew. Thou shalt be both the plaintiff and the judge Of thine own cause. Fab. Good madam, hear me speak; And let no quarrel, nor no brawl to come, Taint the condition of this present hour, Which I have wonder'd at. In hope it shall not, That have on both sides past. Oli. Alas, poor fool! how have they baffled 25 thee! Clo. Why, some are born great, some achieve greatness, and some have greatness thrown upon them. I was one, sir, in this interlude; one Sir Topas, sir; but that's all one:-By the Lord, fool, I am not mad.—But do you remember? Madam, why laugh you at such a barren rascal? an you smile not, he's gagg'd: And thus the whirligig of time brings in his revenges. Mal. I'll be revenged on the whole pack of you. [Exit. Oli. He hath been most notoriously abus'd. Duke. Pursue him, and entreat him to a peace :He hath not told us of the captain yet; When that is known and golden time convents 26, 24 Importunacy. : 25 Baffled is cheated. See Note on the first Scene of K. Rich. II. * i. e. Shall serve, agree, be convenient. A solemn combination shall be made Of our dear souls.—Mean time, sweet sister, SONG. Clo. When that I was and a little tiny boy, A foolish thing was but a toy, For the rain it raineth every day. But when I came to man's estate, With hey, ho, the wind and the rain, But when I came, alas! to wive, bed, But when I came unto my A great while ago the world begun, [Exit. THIS play is in the graver part elegant and easy, and in some of the lighter scenes exquisitely humorous. Ague-cheek is drawn with great propriety, but his character is, in a great measure, that of natural fatuity, and is therefore not the proper prey of a satirist. The soliloquy of Malvolio is truly comic; he is betrayed to ridicule merely by his pride. The marriage of Olivia, and the succeeding perplexity, though well enough contrived to divert on the stage, wants credibility, and fails to produce the proper instruction required in the drama, as it exhibits no just picture of life. JOHNSON. END OF VOL. I. C. and C. Whittingham, College House, Chiswick. |