Shakespeare's Early TragediesMethuen, 1968 - 214 sidor Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry. |
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Sida 163
... ghost , and one can hardly say that of his more recent history , when the ghost ( though rarely altogether banished from the stage ) has become so much of an embarrassment . The scene chosen to illustrate the play in Rowe's edition of ...
... ghost , and one can hardly say that of his more recent history , when the ghost ( though rarely altogether banished from the stage ) has become so much of an embarrassment . The scene chosen to illustrate the play in Rowe's edition of ...
Sida 183
... ghost is simultaneously heroic , and dangerous . Dangerous here in simple senses that are not very important , but the destructive sea is an image which recurs later at the play's heart in ' a sea of troubles ' . Hamlet's scene with the ...
... ghost is simultaneously heroic , and dangerous . Dangerous here in simple senses that are not very important , but the destructive sea is an image which recurs later at the play's heart in ' a sea of troubles ' . Hamlet's scene with the ...
Sida 185
... ghost , and Hamlet's soliloquy - both deal with death in their respective terms . The ghost as a matter of heaven and hell , crime and punishment ; Hamlet as the repudiation of degrading life , that is suicide . Equally , the attitudes ...
... ghost , and Hamlet's soliloquy - both deal with death in their respective terms . The ghost as a matter of heaven and hell , crime and punishment ; Hamlet as the repudiation of degrading life , that is suicide . Equally , the attitudes ...
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Aaron action ambivalence Antony audience beast becomes blank verse blood Bolingbroke Brutus Cassius character choric Clarence Clarence's Claudius climax comedy comic conscience contrast course criticism curse death divine doth Dover Wilson dramatic dream earlier plays echoes Elizabethan emblem emblematic emerges established experience fact Faerie Queene father figure final formal ghost Hamlet hath heaven and hell Henry heroic Horatio human irony judgement Julius Caesar kind king Laertes later plays Lavinia Lucius Lucrece Marcus Margaret Mercutio mode murder nature night nobility noble obvious Ophelia pattern play's poetic poetry political Polonius prose Queen Queen Mab question Rape of Lucrece revenge rhetorical Richard Richard II ritual Roman Rome Romeo and Juliet Saturninus scene seems sense sequence Shakespeare significance simple soliloquy Spanish Tragedy speech splendour stage storm stress structure suggested Tamora thee theme thing thou tion Titus Andronicus tone tragedy tragic utterance words
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Shakespeare's Political Drama: The History Plays and the Roman Plays Alexander Leggatt Ingen förhandsgranskning - 1989 |