Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
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... comedy The Silent Woman . EXAMEN OF THE SILENT WOMAN " To begin first with the length of the action : it is so far from ex- ceeding the compass of a natural day that it takes not up an arti- ficial one . " Tis all included in the limits ...
... comedy The Silent Woman . EXAMEN OF THE SILENT WOMAN " To begin first with the length of the action : it is so far from ex- ceeding the compass of a natural day that it takes not up an arti- ficial one . " Tis all included in the limits ...
Sida 175
... comedy , it has been very usual for those who make their remarks on a play while it is acting to say , " Such a thing is very humorously spoken . There is a great deal of humor in that part . " Thus the character of the person speak ...
... comedy , it has been very usual for those who make their remarks on a play while it is acting to say , " Such a thing is very humorously spoken . There is a great deal of humor in that part . " Thus the character of the person speak ...
Sida 181
... comedy , may be drawn from affectations and those other qualities which I have endeavored to distinguish from humor , but I would not have such imposed on the world for humor , nor es- teemed of equal value with it . It were perhaps the ...
... comedy , may be drawn from affectations and those other qualities which I have endeavored to distinguish from humor , but I would not have such imposed on the world for humor , nor es- teemed of equal value with it . It were perhaps the ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
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Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
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action admiration ancient appear association beauty better called cause century character comedy common considered criticism delight discover Dryden effect English Essay example excellence experience expression fancy follow French genius give greater Homer human humor ideas images imagination imitation Italy judge judgment kind knowledge language learning less living manner matter means mind moral nature never objects observed once opinion original painting particular pass passions perfect perhaps persons philosophers play pleased pleasure poem poet poetry practice present principles produce proper qualities reader reason relation represented rules satire scenes seems sense sentiments Shakespeare sometimes sort speak spirit stage sublime taste theory things thought tion tragedy true truth turn understanding University variety verse whole writing